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Experience of a visually impaired person in a museum space (Softcopy is also available)

By: Contributor(s): Material type: TextTextPublication details: 2021Description: 119pDDC classification:
  • I TH-0489 KHE
Contents:
Contents 1: PERCEPTION 1.1 Introduction 1.2 Senses of Perception 1.2.1 Haptic Sense 1.2.2 Auditory Sense 1.2.3 Olfactory Sense 1.2.4 Light Sense 1.3 Perception in Multi-sensory Interiors 1.4 Perception for the Visually Impaired 2: MULTI-SENSORY MUSEUMS 2.1 Museums 2.2 What is a Multi-sensory Space? 2.3 Technology in Museums 2.3.1 Drawback of Using Technology 2.3.2 Ocularcentric Technology 3: TAIZHOU MUSEUM 3.1 Taizhou Museum, Zhejiang, China 3.1.1 Background 3.1.2 Justification of the Case Study 3.1.3 Location 3.1.4 Design Analysis 3.1.5 Experience Path for a Visually Abled Person 3.1.6 Experience Path for a Visually Disabled Person with a Helper 3.1.7 Experience Path for a Visually Disabled Person 3.2 Inferences 4: TATE SENSORIUM MUSEUM 4.1 Tate Sensorium, London, United Kingdom 4.1.1 Background 4.1.2 Justification of the Case Study 4.1.3 Location 4.1.4 Design Analysis 4.1.5 Experience Path for a Visually Abled Person 4.1.6 Experience Path for a Visually Disabled Person with a Helper 4.1.7 Experience Path for a Visually Disabled Person 4.2 Inferences 5: SHREYAS FOLK MUSEUM 5.1 Shreyas Folk (Lokhayatan) Museum, Ahmedabad, India 5.1.1 Background 5.1.2 Justification of the Case Study 5.1.3 Location 5.1.4 Design Analysis 5.1.5 Experience Path for a Visually Abled Person 5.1.6 Experience Path for a Visually Disabled Person with a Helper 5.1.7 Experience Path for a Visually Disabled Person 5.2 Inferences 6: CONCLUSION 6.1 Conclusion 6.2 Bibliography List of Figures Appendix Glossary Thesis Review
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Item type Current library Collection Call number Status Date due Barcode Item holds
Thesis CEPT Library Faculty of Design I TH-0489 KHE Not For Loan 023265
Total holds: 0

Contents
1: PERCEPTION
1.1 Introduction
1.2 Senses of Perception
1.2.1 Haptic Sense
1.2.2 Auditory Sense
1.2.3 Olfactory Sense
1.2.4 Light Sense
1.3 Perception in Multi-sensory
Interiors
1.4 Perception for the Visually
Impaired
2: MULTI-SENSORY MUSEUMS
2.1 Museums
2.2 What is a Multi-sensory Space?
2.3 Technology in Museums
2.3.1 Drawback of Using Technology
2.3.2 Ocularcentric Technology
3: TAIZHOU MUSEUM
3.1 Taizhou Museum, Zhejiang, China
3.1.1 Background
3.1.2 Justification of the Case Study
3.1.3 Location
3.1.4 Design Analysis
3.1.5 Experience Path for a
Visually Abled Person
3.1.6 Experience Path for a Visually Disabled Person with a Helper
3.1.7 Experience Path for a
Visually Disabled Person
3.2 Inferences
4: TATE SENSORIUM MUSEUM
4.1 Tate Sensorium, London, United Kingdom
4.1.1 Background
4.1.2 Justification of the Case Study
4.1.3 Location
4.1.4 Design Analysis
4.1.5 Experience Path for a Visually Abled Person
4.1.6 Experience Path for a Visually Disabled Person with a Helper
4.1.7 Experience Path for a Visually Disabled Person
4.2 Inferences
5: SHREYAS FOLK MUSEUM
5.1 Shreyas Folk (Lokhayatan)
Museum, Ahmedabad, India
5.1.1 Background
5.1.2 Justification of the Case Study
5.1.3 Location
5.1.4 Design Analysis
5.1.5 Experience Path for a Visually Abled Person
5.1.6 Experience Path for a Visually Disabled Person with a Helper
5.1.7 Experience Path for a Visually Disabled Person
5.2 Inferences
6: CONCLUSION
6.1 Conclusion
6.2 Bibliography
List of Figures
Appendix
Glossary
Thesis Review

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