Experience of a visually impaired person in a museum space (Softcopy is also available)
Khetan, Aashna (UI2316)
Experience of a visually impaired person in a museum space (Softcopy is also available) - 2021 - 119p.
Contents
1: PERCEPTION
1.1 Introduction
1.2 Senses of Perception
1.2.1 Haptic Sense
1.2.2 Auditory Sense
1.2.3 Olfactory Sense
1.2.4 Light Sense
1.3 Perception in Multi-sensory
Interiors
1.4 Perception for the Visually
Impaired
2: MULTI-SENSORY MUSEUMS
2.1 Museums
2.2 What is a Multi-sensory Space?
2.3 Technology in Museums
2.3.1 Drawback of Using Technology
2.3.2 Ocularcentric Technology
3: TAIZHOU MUSEUM
3.1 Taizhou Museum, Zhejiang, China
3.1.1 Background
3.1.2 Justification of the Case Study
3.1.3 Location
3.1.4 Design Analysis
3.1.5 Experience Path for a
Visually Abled Person
3.1.6 Experience Path for a Visually Disabled Person with a Helper
3.1.7 Experience Path for a
Visually Disabled Person
3.2 Inferences
4: TATE SENSORIUM MUSEUM
4.1 Tate Sensorium, London, United Kingdom
4.1.1 Background
4.1.2 Justification of the Case Study
4.1.3 Location
4.1.4 Design Analysis
4.1.5 Experience Path for a Visually Abled Person
4.1.6 Experience Path for a Visually Disabled Person with a Helper
4.1.7 Experience Path for a Visually Disabled Person
4.2 Inferences
5: SHREYAS FOLK MUSEUM
5.1 Shreyas Folk (Lokhayatan)
Museum, Ahmedabad, India
5.1.1 Background
5.1.2 Justification of the Case Study
5.1.3 Location
5.1.4 Design Analysis
5.1.5 Experience Path for a Visually Abled Person
5.1.6 Experience Path for a Visually Disabled Person with a Helper
5.1.7 Experience Path for a Visually Disabled Person
5.2 Inferences
6: CONCLUSION
6.1 Conclusion
6.2 Bibliography
List of Figures
Appendix
Glossary
Thesis Review
I TH-0489 / KHE
Experience of a visually impaired person in a museum space (Softcopy is also available) - 2021 - 119p.
Contents
1: PERCEPTION
1.1 Introduction
1.2 Senses of Perception
1.2.1 Haptic Sense
1.2.2 Auditory Sense
1.2.3 Olfactory Sense
1.2.4 Light Sense
1.3 Perception in Multi-sensory
Interiors
1.4 Perception for the Visually
Impaired
2: MULTI-SENSORY MUSEUMS
2.1 Museums
2.2 What is a Multi-sensory Space?
2.3 Technology in Museums
2.3.1 Drawback of Using Technology
2.3.2 Ocularcentric Technology
3: TAIZHOU MUSEUM
3.1 Taizhou Museum, Zhejiang, China
3.1.1 Background
3.1.2 Justification of the Case Study
3.1.3 Location
3.1.4 Design Analysis
3.1.5 Experience Path for a
Visually Abled Person
3.1.6 Experience Path for a Visually Disabled Person with a Helper
3.1.7 Experience Path for a
Visually Disabled Person
3.2 Inferences
4: TATE SENSORIUM MUSEUM
4.1 Tate Sensorium, London, United Kingdom
4.1.1 Background
4.1.2 Justification of the Case Study
4.1.3 Location
4.1.4 Design Analysis
4.1.5 Experience Path for a Visually Abled Person
4.1.6 Experience Path for a Visually Disabled Person with a Helper
4.1.7 Experience Path for a Visually Disabled Person
4.2 Inferences
5: SHREYAS FOLK MUSEUM
5.1 Shreyas Folk (Lokhayatan)
Museum, Ahmedabad, India
5.1.1 Background
5.1.2 Justification of the Case Study
5.1.3 Location
5.1.4 Design Analysis
5.1.5 Experience Path for a Visually Abled Person
5.1.6 Experience Path for a Visually Disabled Person with a Helper
5.1.7 Experience Path for a Visually Disabled Person
5.2 Inferences
6: CONCLUSION
6.1 Conclusion
6.2 Bibliography
List of Figures
Appendix
Glossary
Thesis Review
I TH-0489 / KHE