Content
A. Abstract
B. Proposal
Introduction
Aims and Objectives Scope and Limitations Methodology of Thesis
Methodology of Case Study
Chapter 1: Introduction
1.1 Brief: Installation Art
1.2 Installation Art
1.3 Contemporary Installation Artist
1.4 Indian Contemporary Installation Art
Chapter 2: Kochi Muziris Biennale
2.1 Biennale
2.2 Kochi Muziris Biennale
2.3 Kochi as the place
2.4 Kochi Muziris Biennale 2018
Chapter 3: Approaches to Understand Installation Art
3.1 Visual system
3.1.1 Incomplete perception
3.1.2 Hierarchy in Perception
3.2 Gestalt principle of visual perception
3.3 Point line and plane
3.4 The idea of Frames
3.4.1 Through the view point of construction
3.4.2 Frames as more than just a cross section
Chapter4: Hanger, Aspinwall house
4.1 Message from the Atlantic - Sue Williamson
4.1.1 General Observations
4.1.2 The Phenomenological understanding of artwork
4.1.3 Gestalt with point, line and plane
4.1.4 Inferences
4.1.5 The idea of reference frame
4.1.6 Inference
4.1.7 Sue Williamson in relation with the Curatorial note
4.2 In the Sea of Pain - Raul Zurita
4.2.1 General Observation
4.2.2 Phenomenological Understanding of the Installation
4.2.3 Gestalt with point, line and plane
4.2.4 Inferences
4.3 Inference of Sue Williamson Vs Raul Zurita
Chapter5: Admin Block, Aspinwall house
5.1 For in Your tongue - Shilpa Gupta
5.1.1 General Observations
5.1.2 The Phenomenological understanding of artwork
5.1.3 Gestalt with point, line and plane
5.1.4 Sue Williamson in relation with the Curatorial note
5.2 Inferences
Chapter6: Conclusion
Illustrations credits Bibliography Review notes