Transformation of spaces under the influence of art installations (Softcopy is also available) (Record no. 56488)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02049nam a22001577a 4500 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | I TH-0414 |
| Item number | ARI |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Aritakula, Rishi Tej (UI4114) |
| 245 ## - TITLE STATEMENT | |
| Title | Transformation of spaces under the influence of art installations (Softcopy is also available) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | 2019 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 147p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Content<br/>A. Abstract<br/>B. Proposal<br/>Introduction<br/>Aims and Objectives Scope and Limitations Methodology of Thesis<br/>Methodology of Case Study<br/>Chapter 1: Introduction<br/>1.1 Brief: Installation Art<br/>1.2 Installation Art<br/>1.3 Contemporary Installation Artist<br/>1.4 Indian Contemporary Installation Art<br/>Chapter 2: Kochi Muziris Biennale<br/>2.1 Biennale<br/>2.2 Kochi Muziris Biennale<br/>2.3 Kochi as the place<br/>2.4 Kochi Muziris Biennale 2018<br/>Chapter 3: Approaches to Understand Installation Art<br/>3.1 Visual system<br/>3.1.1 Incomplete perception<br/>3.1.2 Hierarchy in Perception<br/>3.2 Gestalt principle of visual perception<br/>3.3 Point line and plane<br/>3.4 The idea of Frames<br/>3.4.1 Through the view point of construction<br/>3.4.2 Frames as more than just a cross section<br/>Chapter4: Hanger, Aspinwall house<br/>4.1 Message from the Atlantic - Sue Williamson<br/>4.1.1 General Observations<br/>4.1.2 The Phenomenological understanding of artwork<br/>4.1.3 Gestalt with point, line and plane<br/>4.1.4 Inferences<br/>4.1.5 The idea of reference frame<br/>4.1.6 Inference<br/>4.1.7 Sue Williamson in relation with the Curatorial note<br/>4.2 In the Sea of Pain - Raul Zurita<br/>4.2.1 General Observation<br/>4.2.2 Phenomenological Understanding of the Installation<br/>4.2.3 Gestalt with point, line and plane<br/>4.2.4 Inferences<br/>4.3 Inference of Sue Williamson Vs Raul Zurita<br/>Chapter5: Admin Block, Aspinwall house<br/>5.1 For in Your tongue - Shilpa Gupta<br/>5.1.1 General Observations<br/>5.1.2 The Phenomenological understanding of artwork<br/>5.1.3 Gestalt with point, line and plane<br/>5.1.4 Sue Williamson in relation with the Curatorial note<br/>5.2 Inferences<br/>Chapter6: Conclusion<br/>Illustrations credits Bibliography Review notes<br/><br/> |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Nagarsheth, Snehal (Guide) |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | 2014 Batch |
| 891 ## - Topic | |
| Topic | FD-UG |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Faculty of Design | CEPT Library | CEPT Library | 06/08/2019 | Faculty of Design | I TH-0414 ARI | 021386 | 06/08/2019 | 06/08/2019 | Thesis |