Contents
Abstract
Acknowledgement
Proposal overview:
Introduction
Aim, Objectives, Scope and limitations
Research method, Methodology, Framework of Analysis
1. On drawing
1.1. Importance of drawing in Architecture
1.2. Origins of drawing
1.2.1 Origins of architectural drawing
1.2.2 Origins of convention | Gothic
1.2.3 Conventions of Late Gothic and early Renaissance
1.2.4 Importance of documenting the classical. Drawings and texts-printing.
1.2.5 Conventions: Boullee’s drawings
1.3. Mediums and techniques used in drawing
1.4. Kinds of drawings
1.4.1 Orthographic projection
1.4.2 Paraline projections
1.4.3 Perspective projection
1.5. Conventions in drawing by the end of 19th century
2. Architectural movements of the 20th century
2.1. International Style
2.2. Post-Modernism Classicism
2.3. Deconstructivism
2.4. Post -independence architecture in India
2.5. Defining ideologies of the movements
3. Deriving framework of analysis
3.1. Drawings considered for the study
3.2. Frame work of analysis
3.2.1 Selection of drawings
3.2.2 Influences and Influencers
3.2.3 Reading the Analysis
3.3. Analysis based on time
3.4. Analysis based on context
3.5. Tabulating the inferences
3.5.1 Breakdown of analysis-decade wise
3.5.2 Breakdown of analysis:Movement wise
3.5.3 Grouping and tabulating inferences : Movement wise
4. Synthesis
4.1. Drawing as expressions
4.2. On conventions: Tracing the change
4.2.1 Tracing change: with respect to time
4.2.2 Tracing change:with respect to context
4.3. On conventions: Consequence of what we get influenced
4.4. What is language in architecture?
4.5. Privilege of digital aid
4.5.1 Influence of digital media
4.6. Drawing as a medium: How different is drawing from other means of representation
4.7. Reflections
5. End note
On conventions
List of figures
List of tables
Bibliography