Drawings as the reflection of architectural movements (Tracing the drawing methodology of the 20th century ) (Soft copy is also available) (Record no. 68401)
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000 -LEADER | |
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fixed length control field | 02392nam a22001577a 4500 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | A TH-1395 |
Item number | SUR |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Surati, Richa (UA4615) |
245 ## - TITLE STATEMENT | |
Title | Drawings as the reflection of architectural movements (Tracing the drawing methodology of the 20th century ) (Soft copy is also available) |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Date of publication, distribution, etc | 2020 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | v,240p. |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | Contents<br/>Abstract <br/>Acknowledgement<br/>Proposal overview: <br/>Introduction <br/>Aim, Objectives, Scope and limitations <br/>Research method, Methodology, Framework of Analysis <br/>1. On drawing <br/>1.1. Importance of drawing in Architecture <br/>1.2. Origins of drawing <br/>1.2.1 Origins of architectural drawing <br/>1.2.2 Origins of convention | Gothic <br/>1.2.3 Conventions of Late Gothic and early Renaissance <br/>1.2.4 Importance of documenting the classical. Drawings and texts-printing. <br/>1.2.5 Conventions: Boullee’s drawings <br/>1.3. Mediums and techniques used in drawing <br/>1.4. Kinds of drawings <br/>1.4.1 Orthographic projection <br/>1.4.2 Paraline projections <br/>1.4.3 Perspective projection <br/>1.5. Conventions in drawing by the end of 19th century <br/>2. Architectural movements of the 20th century <br/>2.1. International Style <br/>2.2. Post-Modernism Classicism <br/>2.3. Deconstructivism <br/>2.4. Post -independence architecture in India<br/>2.5. Defining ideologies of the movements <br/>3. Deriving framework of analysis <br/>3.1. Drawings considered for the study <br/>3.2. Frame work of analysis <br/>3.2.1 Selection of drawings <br/>3.2.2 Influences and Influencers <br/>3.2.3 Reading the Analysis <br/>3.3. Analysis based on time<br/>3.4. Analysis based on context <br/>3.5. Tabulating the inferences <br/>3.5.1 Breakdown of analysis-decade wise<br/>3.5.2 Breakdown of analysis:Movement wise<br/>3.5.3 Grouping and tabulating inferences : Movement wise<br/>4. Synthesis <br/>4.1. Drawing as expressions <br/>4.2. On conventions: Tracing the change <br/>4.2.1 Tracing change: with respect to time<br/>4.2.2 Tracing change:with respect to context <br/>4.3. On conventions: Consequence of what we get influenced <br/>4.4. What is language in architecture? <br/>4.5. Privilege of digital aid<br/>4.5.1 Influence of digital media <br/>4.6. Drawing as a medium: How different is drawing from other means of representation <br/>4.7. Reflections<br/>5. End note <br/>On conventions<br/>List of figures<br/>List of tables<br/>Bibliography<br/> |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Tayyibji, Riyaz (Guide) |
890 ## - Country | |
Country | India |
891 ## - Topic | |
Topic | FA-UG |
891 ## - Topic | |
Topic | 2015 Batch |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 02/02/2021 | Faculty of Architecture | A TH-1395 SUR | 022682 | 02/02/2021 | 02/02/2021 | Thesis |