Drawings as the reflection of architectural movements (Tracing the drawing methodology of the 20th century ) (Soft copy is also available) (Record no. 68401)

MARC details
000 -LEADER
fixed length control field 02392nam a22001577a 4500
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number A TH-1395
Item number SUR
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Surati, Richa (UA4615)
245 ## - TITLE STATEMENT
Title Drawings as the reflection of architectural movements (Tracing the drawing methodology of the 20th century ) (Soft copy is also available)
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2020
300 ## - PHYSICAL DESCRIPTION
Extent v,240p.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Contents<br/>Abstract <br/>Acknowledgement<br/>Proposal overview: <br/>Introduction <br/>Aim, Objectives, Scope and limitations <br/>Research method, Methodology, Framework of Analysis <br/>1. On drawing <br/>1.1. Importance of drawing in Architecture <br/>1.2. Origins of drawing <br/>1.2.1 Origins of architectural drawing <br/>1.2.2 Origins of convention | Gothic <br/>1.2.3 Conventions of Late Gothic and early Renaissance <br/>1.2.4 Importance of documenting the classical. Drawings and texts-printing. <br/>1.2.5 Conventions: Boullee’s drawings <br/>1.3. Mediums and techniques used in drawing <br/>1.4. Kinds of drawings <br/>1.4.1 Orthographic projection <br/>1.4.2 Paraline projections <br/>1.4.3 Perspective projection <br/>1.5. Conventions in drawing by the end of 19th century <br/>2. Architectural movements of the 20th century <br/>2.1. International Style <br/>2.2. Post-Modernism Classicism <br/>2.3. Deconstructivism <br/>2.4. Post -independence architecture in India<br/>2.5. Defining ideologies of the movements <br/>3. Deriving framework of analysis <br/>3.1. Drawings considered for the study <br/>3.2. Frame work of analysis <br/>3.2.1 Selection of drawings <br/>3.2.2 Influences and Influencers <br/>3.2.3 Reading the Analysis <br/>3.3. Analysis based on time<br/>3.4. Analysis based on context <br/>3.5. Tabulating the inferences <br/>3.5.1 Breakdown of analysis-decade wise<br/>3.5.2 Breakdown of analysis:Movement wise<br/>3.5.3 Grouping and tabulating inferences : Movement wise<br/>4. Synthesis <br/>4.1. Drawing as expressions <br/>4.2. On conventions: Tracing the change <br/>4.2.1 Tracing change: with respect to time<br/>4.2.2 Tracing change:with respect to context <br/>4.3. On conventions: Consequence of what we get influenced <br/>4.4. What is language in architecture? <br/>4.5. Privilege of digital aid<br/>4.5.1 Influence of digital media <br/>4.6. Drawing as a medium: How different is drawing from other means of representation <br/>4.7. Reflections<br/>5. End note <br/>On conventions<br/>List of figures<br/>List of tables<br/>Bibliography<br/>
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Tayyibji, Riyaz (Guide)
890 ## - Country
Country India
891 ## - Topic
Topic FA-UG
891 ## - Topic
Topic 2015 Batch
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Withdrawn status Home library Current library Date acquired Source of acquisition Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Faculty of Architecture   CEPT Library CEPT Library 02/02/2021 Faculty of Architecture A TH-1395 SUR 022682 02/02/2021 02/02/2021 Thesis
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