| Formatted contents note |
Contents<br/>Styling Life 27<br/>Acknowledgements 32<br/>The Gay Science (What is Life?) 35<br/>Introduction by Sanford Kwinter<br/>Getting Engaged : The Global Image Economy 39<br/>Essay<br/>An Incomplete Manifesto for Growth 88<br/>Manifesto<br/>Zone<br/>Model City 96<br/>Zone 1 l 2, 1985<br/>The Spelling of Mr. Kwinter's Proper Name 108<br/>Shelf Life 110<br/>Zone Books, 1986-present<br/>Chris Marker's Favorite Photos 138<br/>Transformation Loop 143<br/>Diagram<br/>Corpus 166<br/>Fragments for a History of the Human Body, Zone 3 I 4 I 5, 1989<br/>Educating Olivia 174<br/>Staying Alive 176<br/>Incorporations, Zone 6, 1992<br/>Imprint 206<br/>Swerve Editions, 1991-present<br/>Zone Life 212<br/>Zone ephemera, 1985-2000<br/>Identity<br/>A Studio is Not a Tree 221<br/>Essay <br/>Notes 226<br/>Life Expectancy 229<br/>Essay on identity<br/>100 Logos, 1000 Colors 242<br/>Netherlands Architecture Institute, Rotterdam, 1993<br/>Necrophilia and Extrapolation 254<br/>Andy Warhol Museum, Pittsburgh, 1994<br/>Seeking Fred's Approval 258<br/>Spectacle or Forum 260<br/>Art Gallery of Ontario, Toronto, 1996<br/>Audition 262<br/>Universal Studios, Los Angeles, 1996<br/>Inventing a Voice 266<br/>Indigo Books, Toronto, 1997<br/>Soft "0" 272<br/>Virtual Office of Integrated Design, San Francisco, 1998<br/>Figure and Ground 274<br/>Rice University School of Architecture, Houston, 1998<br/>The United States of Switzerland 284<br/>Turning Solids to Fluids 290<br/>Faculty of Architecture, Landscape & Design, University of Toronto, 1999<br/>Waltzing with Frank 296<br/>Walt Disney Concert Hall, Los Angeles, 1991<br/>Go-Go 306<br/>Gagosian Gallery, 2000 ·<br/>Can We Envision 310<br/>Notes 317<br/>Twelve Strategies 318<br/>Essay on collaboration<br/>Research<br/>Meeting Mr. Johnson 330<br/>S,M,L,XL 332<br/>O.M.A., Rem Koolhaas, The Monacelli Press, New York, 1996<br/>Don't be Fooled 342<br/>The Culture of Energy 344<br/>Elektrizitatswerk<br/>Minden-Ravensburg (EMR),<br/>Bad Oenhausen, Germany, 1994<br/>Pop Culture 354<br/>Schmidt Coca-Cola Museum,<br/>Elizabethtown, Kentucky, 1998<br/>Riverlab 368<br/>National Museum of the Mississippi<br/>River, New Orleans, 1999<br/>Tree City 384<br/>Proposal for Downsview Park,<br/>Toronto, 2000<br/>Storage and Retrieval 412<br/>Seattle Public Library,<br/>Seattle, 2000<br/>Record and Playback: text, image, movement, sound, object, life 422 <br/>Notes on recording technologies from Gutenberg to Dolly<br/>Meeting John Cage 424<br/>Reading<br/>Reading : Shaping Time 431<br/>Essay on typography<br/>Sameness and Difference 446<br/>Getty Research Institute, Los Angeles, from 1990<br/>A Woman of a Certain Age 460<br/>Frank Gehry: New Bentwood Furniture Designs 462<br/>The Montreal Museum of Decorative Arts, 1992<br/>Robin Collyer: Idioms of Resistance 464<br/>Art Gallery of Ontario, Toronto,<br/>1993<br/>The Michael Snow Project 466<br/>Art Gallery of Ontario and The Power Plant, Toronto, 1994<br/>Douglas Gordon 468<br/>Kunstverein Hannover, Germany, 1998<br/>through a looking glass 476<br/>Gagosian Gallery, New York, 1999<br/>Chasing Napoleon: Forensic Portraits 480<br/>Tony Scherman, Cameron and Hollis, Toronto, 1999<br/>Perfection, Way, Origin 484<br/>Terry Winters, ULA&E, New York, 1999<br/>Dan Flavin: The Architecture of Light 488<br/>Deutsche Guggenheim Berlin, 1999<br/>ReMembering the Body 490<br/>Hatje Cantz Verlag, Ostfildern-Ruit, Germany, 2000<br/>Growth as an Event 497<br/>Essay<br/>The Life and Times of Osunkemi 509<br/>Extras<br/>Space Age 512<br/>Pop in Orbit, Design Exchange, Toronto, 1995<br/>Genextrapolation™ 520<br/>The New York Times Magazine, 1996<br/>Love Connection 522<br/>How to Get Ahead of Advertising 524<br/>The Power Ten campaign, Toronto, 1996<br/>Pearl River Delta 526<br/>Insert in Oocumenta X: The Book, 1997<br/>An Immodest Proposal 534<br/>21A, New York, 1999<br/>Questionnaire 538<br/>Bruce Mau Design Job Quiz, 1999<br/>Art Life<br/>Speaker Swinging 542<br/>A collaboration with Gordon Monahan, 1988<br/>Every Day was Different 550<br/>Remote 552<br/>A collaboration with Meg Stuart, 1996<br/>The Dance of the Difficult Image 559<br/>Book Machine 562<br/>Laboratorium, Antwerp Museum of Photography, 1999<br/>Killing: A Body of Knowledge 572<br/>Love for Sale 574<br/>Installation at Sir John Soane's Museum, London, 1999<br/>What Will Be.com of US? 577<br/>Conclusion<br/>Studio Timeline 582<br/>Studio Chronology 584<br/>Biography: Bruce Mau 585<br/>Selected Bibliography 587<br/>Index 592<br/>Bruce Mau : Designer or Not? 577<br/>Afterword by Michel Feher<br/>Coda<br/>STRESS 602 <br/>Multimedia installation, Wiener Festwochen, Vienna, 2000 |
