000			01683nam a2200181Ia 4500
008			240821s9999 xx 000 0 und d
082			_aI TH-0546 _bSHA
100			_aSharma, Anjali (UG180068) _998724
245		0	_aDecoding liminal spaces in psychological thrillers cinematic, spatial and narrative analysis (Softcopy is also available)
260			_c2023
300			_aix,151p.
505			_aContents Acknowledgments VII Abstract XI 1. Introduction 1 1.1 Introduction to research 2 1.2 Research question 4 1.3 Hypothesis 4 1.4 Objectives 4 1.5 Scope and Limitations 4 1.6 Structure and Methodology 5 2. Theoretical Background 8 2.1 Introduction to Cinema and narrative 8 2.2 Cinema as a Language 10 2.3 Introduction to Liminal spaces 12 2.4 Liminal spaces in the context of Cinema 15 2.5 Psychological thriller as a genre 18 2.6 Liminal spaces and Psychological thriller 23 2.7 Interior architecture and Production design in cinema. 25 2.8 Commonalities of Liminal Space in Cinema and Interior Architecture 27 3. Contexualization 32 3.1 Analytical framework 32 3.2 Range of Films 33 3.3 Selected Films 39 4. Analysis 42 4.1 Cinematic and Spatial Analysis of “The Shining” Stanley Kubrick, 1980 43 4.2 Cinematic and Spatial Analysis of “The Platform” Galder Gaztelu-Urrutia, 2019 71 4.3 Cinematic and Spatial Analysis of “The Woman in the Window” Joe Wright, 2021 91 5. Comparative analysis 120 6. Conclusion 130 Image Credits 134 Bibliography 144
700			_aNaik, Neel (Guide)
890			_aIndia
891			_a2018 Batch
891			_aFaculty of Design
891			_aFD-UG
999			_c72451 _d72451