000			01926 a2200157 4500
020			_a9780300179354
082			_a741.018 _bALB
100			_aAlbers, Josef _998888
245			_aInteraction of color
260			_aLondon _bYale University Press _c2013
300			_axi,192,iip.
505			_aContents Foreword Nicholas Fox Weber ix Introduction 1 I Color recollection-visual memory 3 II Color reading and contexture 4 III Why color paper-instead of pigment and paint 6 IV A color has many faces-the relativity of color 8 V Lighter and / or darker-light intensity, lightness 12 Gradation studies-new presentations Color intensity-brightness VI 1 color appears as 2-looking like the reversed grounds 18 VII 2 different colors look alike-subtraction of color 20 VIII Why color deception?-after-image, simultaneous contrast 22 IX Color mixture in paper-illusion of transparence 24 X Factual mixtures-additive and subtractive 27 XI Transparence and space-illusion 29 Color boundaries and plastic action XII Optical mixture-after-image revised 33 XIII The Bezold Effect 33 XIV Color intervals and transformation 34 XV The middle mixture again-intersecting colors 37 XVI Color juxtaposition-harmony-quantity 39 XVII Film color and volume color-2 natural effects 45 XVIII Free studies-a challenge to imagination 47 Stripes-restricted juxtaposition Fall leaf studies-an American discovery XIX The Masters-color instrumentation 52 XX The Weber-Fechner Law-the measure in mixture 54 XXI From color temperature to humidity in color 59 XXII Vibrating boundaries-enforced contours 61 XXIII Equal light intensity-vanishing boundaries 62 XXIV Color theories-color systems 65 XXV On teaching color-some color terms 68 Explanation of color terms Variants versus variety XXVI In lieu of a bibliography-my first collaborators 74 Plates and commentary 75
890			_aUK
891			_aFD
942			_2ddc
999			_c71549 _d71549