000			05800 a2200169 4500
020			_a9781856696944
082			_a745.409 _bRAI
100			_aRaizman, David _990227
245			_aHistory of modern design : graphics and products since the industrial revolution
250			_aEd.2
260			_bLaurence King Pub. _aLondon _c2020
300			_a432p.
505			_aContents Preface 8 Acknowledgments 10 Introduction: Thinking about Design 11 PRODUCTS, TECHNOLOGY, AND PROGRESS 11 DESIGNERS AND THE EXPANSION OF DESIGN 12 DISCOURSE 13 PART I Demand, Supply, and Design (1700-1800) 15 Introduction to Part I 16 1 Royal Demand and the Control of Production 17 STATE-OWNED MANUFACTORIES 17 ARTISTS AND CRAFTSMEN 20 PORCELAIN 22 THE GUILDS 23 THE PRINTER'S ART 28 2 Entrepreneurial Efforts in Britain and Elsewhere 31 DESIGN IN AN EXPANDING MARKET 31 WEDGWOOD AND ANTIQUITY 33 COMMODITIES AND FASHION 36 THE UNITED STATES 38 POPULAR LITERATURE AND THE FREEDOM OF THE PRESS 39 PART II Expansion and Taste (1801-1865) 41 Introduction to Part II 42 3 Growing Pains: Expanding Industry in the Early Nineteenth Century 43 A CULTURE OF INDUSTRY AND PROGRESS 43 NEW MATERIALS AND PROCESSES 44 BEYOND THE PRINTED PAGE 50 WALLPAPER AND FABRIC PRINTING 52 THE AMERICAN SYSTEM 54 4 Design, Society, and Standards 57 EARLY DESIGN REFORM 57 INDUSTRY AND ITS DISCONTENTS 58 REFORM AND THE GOTHIC REVIVAL 59 HENRY COLE AND THE "COLE GROUP" 61 THE GREAT EXHIBITION OF 1851 63 IMAGES FOR ALL 70 POPULAR GRAPHICS IN THE UNITED STATES 74 A BALANCE SHEET OF REFORM 76 CONCLUSION 77 PART III Arts, Crafts, and Machines - Industrialization: Hopes and Fears (1866-1914) 79 Introduction to Part III 80 5 The Joy of Work 81 RUSKIN, MORRIS, AND THE ARTS AND CRAFTS MOVEMENT IN BRITAIN 81 MORRIS AND SOCIALISM 85 MORRIS AS PUBLISHER 85 THE INFLUENCE OF WILLIAM MORRIS IN BRITAIN 88 THE ARTS AND CRAFTS MOVEMENT IN THE UNITED STATES 91 PRINTING IN THE UNITED STATES 98 CHICAGO AND FRANK LLOYD WRIGHT 99 6 The Equality of the Arts 103 DESIGN REFORM AND THE AESTHETIC MOVEMENT 103 BOOKS, ILLUSTRATION, AND TYPE 110 THE AESTHETIC MOVEMENT IN THE UNITED STATES 113 DRESS 118 DESIGN REFORM IN FRANCE: L'ART NOUVEAU 120 ART NOUVEAU IN PRINT AND IN PUBLIC 125 GLASGOW: CHARLES RENNIE MACKINTOSH 130 AUSTRIA 131 BELGIUM 136 MUNICH 138 SCANDINAVIA, EASTERN EUROPE, AND THE VERNACULAR 140 ITALY AND SPAIN 143 7 Mechanization and Industry 147 DESIGN AND THE WORKPLACE 147 GERMANY 148 THE AMERICAN SYSTEM OF MANUFACTURE AND FORDISM 151 DEVELOPMENTS IN MERCHANDISING, PRINTING, ANDADVERTISING 154 CONCLUSION 155 PART IV After World War I: Art, Industry, and Utopias (1918-1944) 157 Introduction to Part IV 158 8 Paris and Art Moderne (Art Deco) Before and After World War I 161 FURNITURE AND MODERN ART 162 GLASS AND METAL 166 THE PARIS EXPOSITION OF 1925 172 9 "Modernism": Design, Utopia, and Technology 181 FUTURISM 181 DE STIJL 184 CONSTRUCTIVISM 189 THE BAUHAUS 196 BEYOND THE BAUHAUS 204 THE PRINTING INDUSTRY AND THE "NEW TYPOGRAPHY" 206 JAN TSCHICHOLD AND THE NEW TYPOGRAPHY 208 BRITAIN AND MODERN DESIGN 214 SCANDINAVIA AND MODERN DESIGN 219 10 Design, Industry, and Advertising in the United States 223 INDUSTRIAL DESIGN AND FORDISM 228 ADVERTISING, ART, AND THE SELLING OF MODERN DESIGN IN THE UNITED STATES 229 THE UNITED STATES AND INTERNATIONAL MODERNISM 237 STREAMLINING 240 THE 1939 NEW YORK WORLD'S FAIR 242 PHOTOGRAPHY AND GRAPHIC DESIGN 244 INDUSTRIAL DESIGN AND AUSTERITY 248 GRAPHIC DESIGN DURING WORLD WAR II 251 CONCLUSION 252 PART V Humanism and Luxury: lnternational Modernism and Mass Culture after World War II (1945-1960) 255 Introduction to Part V 256 11 Modernism After World War II: From Theory to Practice 260 PROMOTING POSTWAR DESIGN : ART DIRECTION AND THE NEW ADVERTISING 267 GRAPHIC DESIGN AND TECHNICAL INFORMATION 273 SCANDINAVIA AND BRITAIN 275 ITALY 283 GERMANY 288 THE INTERNATIONAL GRAPHIC STYLE (DIE NEUE GRAFIK) 291 MEANS AND ENDS 296 JAPAN 298 DESIGN AND CORPORATE CULTURE 301 TRADEMARKS AND BEYOND 302 12 Design and Mass Appeal: A Culture of Consumption 306 DETROIT: TRANSPORTATION AS SYMBOL 308 CRITICS OF STYLI NG 313 RESORTS AND LUXURY 314 HOUSING: SUBURBIA, DOMESTICITY, AND CONFORMITY 317 BEYOND HIGH AND Low ART: REVISITING THE CRITIQUE OF MASS CULTURE 322 CONCLUSION 325 PART VI Progress, Protest, and Pluralism 1961-2010 327 Introduction to Part VI 328 13 New Materials, New Products 330 PLASTICS AND TH El R PROGENY 331 PRODUCT HOUSING 335 SPORTS EQUIPMENT AND PROGRESS 338 VISUAL IDENTITY, INFORMATION, AND ART DIRECTION 338 LAMINATED MATERIALS 345 NATURE AND CRAFT 346 14 Dimensions of Mass Culture 349 MASS DESIGN AND THE HOME 351 MASS DESIGN: THE FRINGES 353 POP, PROTEST, AND COUNTERCULTURE 355 GRAPHICS AND THE UNDERGROUND 356 ANTI-DESIGN IN ITALY 358 RADICAL REFORM : TECHNOLOGY, SAFETY, AND THE ENVIRONMENT 362 15 Politics, Pluralism, and Postmodernism 367 DESIGN AND POSTMODERNISM 369 POSTMODERN PRODUCTS 370 PLURALISM AND RESISTANCE: PUNK 374 HI-TECH 377 THE EXPANDING DEFINITION AND ROLE OF DESIGN 378 16 Design in Context: An Act of Balance 381 CONSUMERS 381 REFORM AND SOCIAL RESPONSIBILITY 387 DESIGN, SAFETY, AND TERROR 391 PRODUCTION TECHNOLOGY: MEANINGS OF MINIATURIZATION 393 DESIGN AND SOFTNESS 396 MATERIALS TECH NO LOGY AND SOFTNESS 396 LIFESTYLE 400 POLITICS, TECHNOLOGY, AND THE MEDIA 400 GRAPHIC DESIGN IN A DIGITAL AGE 401 CRAFT: THE PERSISTENCE OF PROCESS 406 DESIGN AND CONTINUITY: CREATIVITY, RESPONSIBILITY, AND RESILIENCE 408 Timeline 409 Suggestions for Further Reading 413 Select Bibliography 416 Credits 421 Index 425
890			_aUK
891			_aFD
942			_2ddc
999			_c69474 _d69474
650			_aPhotography _aPlastics _aPopular culture _aPorcelain _aTextile printing _aTrademarks--Design