000			02033nam a2200169Ia 4500
008			110103s9999||||xx |||||||||||||| ||und||
082			_aI TH-0489 _bKHE
100			_aKhetan, Aashna (UI2316) _990019
245		0	_aExperience of a visually impaired person in a museum space (Softcopy is also available)
260			_c2021
300			_a119p.
505			_aContents 1: PERCEPTION 1.1 Introduction 1.2 Senses of Perception 1.2.1 Haptic Sense 1.2.2 Auditory Sense 1.2.3 Olfactory Sense 1.2.4 Light Sense 1.3 Perception in Multi-sensory Interiors 1.4 Perception for the Visually Impaired 2: MULTI-SENSORY MUSEUMS 2.1 Museums 2.2 What is a Multi-sensory Space? 2.3 Technology in Museums 2.3.1 Drawback of Using Technology 2.3.2 Ocularcentric Technology 3: TAIZHOU MUSEUM 3.1 Taizhou Museum, Zhejiang, China 3.1.1 Background 3.1.2 Justification of the Case Study 3.1.3 Location 3.1.4 Design Analysis 3.1.5 Experience Path for a Visually Abled Person 3.1.6 Experience Path for a Visually Disabled Person with a Helper 3.1.7 Experience Path for a Visually Disabled Person 3.2 Inferences 4: TATE SENSORIUM MUSEUM 4.1 Tate Sensorium, London, United Kingdom 4.1.1 Background 4.1.2 Justification of the Case Study 4.1.3 Location 4.1.4 Design Analysis 4.1.5 Experience Path for a Visually Abled Person 4.1.6 Experience Path for a Visually Disabled Person with a Helper 4.1.7 Experience Path for a Visually Disabled Person 4.2 Inferences 5: SHREYAS FOLK MUSEUM 5.1 Shreyas Folk (Lokhayatan) Museum, Ahmedabad, India 5.1.1 Background 5.1.2 Justification of the Case Study 5.1.3 Location 5.1.4 Design Analysis 5.1.5 Experience Path for a Visually Abled Person 5.1.6 Experience Path for a Visually Disabled Person with a Helper 5.1.7 Experience Path for a Visually Disabled Person 5.2 Inferences 6: CONCLUSION 6.1 Conclusion 6.2 Bibliography List of Figures Appendix Glossary Thesis Review
700			_aKadam, Rajiv (Guide)
890			_aIndia
891			_a2016 Batch
891			_aFD-UG
999			_c69389 _d69389