| 000 | 01464 a2200157 4500 | ||
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| 020 | _a9780822352136 | ||
| 082 |
_a791.430954792 _bGAN |
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| 100 |
_aGhanti, Tejaswini _991014 |
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| 245 | _aProducing bollywood inside the contemporary Hindi film industry " | ||
| 260 |
_aLondon _bDuke Uni. Press _c2012 |
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| 300 | _axiv,424p. | ||
| 505 | _aContents Acknowledgments ix INTRODUCTION: How the Hindi Film Industry Became "Bollywood" 1 PART 1 THE SOCIAL STATUS OF FILMS AND FILMMAKERS 1. From Vice to Virtue: The State and Filmmaking in India 41 2. From Slumdogs to Millionaires: The Gentrification of Hindi Cinema 77 3. Casting Respectability 119 PART 2 THE PRACTICES AND PROCESSES OF FILM PRODUCTION 4. A Day in the Life of a Hindi Film Set 155 5. The Structure, Organization, and Social Relations of the Hindi Film Industry 175 6. Sentiments ·of Disdain and Practices of Distinction : The Work Culture of the Hindi Film Industry 215 7. Risky Business: Managing Uncertainty in the Hindi Film Industry 243 PART 3 DISCOURSES AND PRACTICES OF AUDIENCE-MAKING 8. Pleasing Both Aunties and Servants: The Hindi Film Industry and Its Audience Imaginaries 281 9. The Fear of Large Numbers: The Gentrification of Audience Imaginaries 315 EPILOGUE : My Name Is Bollywood 359 Notes 367 Bibliography 401 Index 419 | ||
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