000			01153 a2200157 4500
020			_a9780521725910
082			_a363.69 _bEGG
100			_aEggert, Paul _990427
245			_aSecuring the past : conservation in Art, Architecture and Literature
260			_aNew York _bCambridge University Press _c2009
300			_axi,290p.
505			_aContents List of illustrations Preface Contents List of Illustration Preface ix 1 Introduction 1 2 The witness of historic buildings and the restoration of the churches 19 3 The new Ruskinians and the new aesthetes 41 4 Forgery and authenticity: historical documents, literary works and paintings 61 5 Conservators and agency: their role in the work 86 6 Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship 109 7 Materialist, performance or literary Shakespeare? 131 8 Modes of editing literary works: conflicts in theory and practice 154 9 Readers and editors: new directions in scholarly editing 185 10 The editorial gaze and the nature of the work 214 Notes 241 Bibliography 265 Index 285
890			_aUSA
891			_aFA
942			_2ddc
999			_c69127 _d69127
650			_aBuddhism _aArts and history _aAuthenticity (Philosophy) _aHistoric preservation
650			_aArchitects Biography
650			_aArchitects Biography Encyclopedias
650			_aBiographies
650			_acollective biographies