000			01398 a2200157 4500
020			_a9780816637157
082			_a758.1 _bCAS
100			_aCasey, Edward S. _986608
245			_aRepresenting place : landscape painting and maps
260			_aLondon _bUniversity of Minnesota Press _c2002
300			_axx,366,ip.
505			_aContents List of Illustrations ix Prologue : What Does It Mean to Represent Landscape? Xiii Acknowledgements xix Part 1: Painting the Land 1. From Landskip to Landscape 3 2. Finding Place for the Elemental 20 3. Apocalyptic and Contemplative Sublimity 40 4. Pursuing the Natural Sublime : Thomas Cole's The Oxbow 56 5. Representing a Region : East Anglia in the Eyes of John Constable 74 6. Representing Place Elsewhere : Northern Sung Landscape Painting 92 INTERLUDE: Material Conditions of Representing Place in Landscape Painting 119 Part 2: Mapping the Land 7. First Considerations 131 8. Cartography and Chorography 154 9. Discursive and Presentational Symbolism in Maps : the Revealing Case of Portolan Charts 171 10. Far-out Mapping 194 11. Rectangularity and Truth 213 Part 3: Re-implacement in Mapping and Painting 12. Re-presenting Representation 233 Epilogue: Landscape Experienced and Re-presented 262 Notes 277 Glossary 347 Index 357
890			_aUK
891			_aFA
942			_2ddc
999			_c68545 _d68545
650			_aArt _aLandscape painting. _aMap drawing. _aCole, Thomas -- 1801-1848
650			_aBrazil
650			_aArchitects
650			_aBrazil--São Paulo