| 000 | 01282 a2200181 4500 | ||
|---|---|---|---|
| 020 | _a9781503612990 | ||
| 082 |
_a701.03 _bSUN |
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| 100 |
_aSunderason, Sanjukta _984546 |
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| 245 | _aPartisan aesthetics : modern art and India's long decolonization | ||
| 260 |
_bStanford University Press _c2020 _aStanford |
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| 300 | _axvii,318,iip. | ||
| 440 |
_aSouth Asian in Motion Ed. by Thomas Blom Hansen _989708 |
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| 505 | _aContents Illustrations ix Preface xi Introduction: Partisan Aesthetics: Configurations 1 PART I Dialogues and Dissonances 1. "Political Potentiality": Jamini Roy and the Formations of Progressive Art Criticism 43 2. "As Agitator and Organizer": Socialist Realism and Artist-cadres of the Communist Party of India85 3. "Concrete Contextuality": Realism and Its Discontents in the Art of the Calcutta Group 129 PART II. Postcolonial Displacements 4. "All the More Real for Not Being Preached": Forms and Futures of Socialist Art in Nehruvian India 173 5. "Revolution in the Tropics, Love in the Tropics": Arts of Displacement in the Post-colony 217 Postscript: Toward an Aesthetics of Decolonization 257 Notes 263 Bibliography 289 Index 309 | ||
| 600 | _960139 | ||
| 890 | _aUSA | ||
| 891 | _aFA | ||
| 942 | _2ddc | ||
| 999 |
_c68326 _d68326 |
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