000 | 01520nam a2200181Ia 4500 | ||
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999 |
_c56610 _d56610 |
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008 | 190829s9999 xx 000 0 und d | ||
082 |
_aMIAD TH-0194 _bMAH |
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100 |
_aMahajan, Charru (PI000317) _970122 |
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245 | 0 | _aParadigms of craft-design collaboration (Softcopy is also available) | |
260 | _c2019 | ||
300 | _a156p. | ||
505 | _aContents Acknowledgments List of figures Abstract Thesis Overview 9 Aim & objectives Research Questions Scope and limitations Rationale Research Methodology Introduction 14 1. The emergence of alternative cultural spaces 18 1.1 Defining “alternative” a. Determinants of alternative cultural spaces 1.2 Alternative cultural spaces vs. Mainstream spaces 1.3 Situating the alternative cultural discourse in India a. Identifying alternative cultural spaces in Ahmedabad b. Selection of case studies 2. Liminality 47 2.1 Liminal characteristics of cultural performances 2.2 Analysing performances for liminality 2.3 Spatial notions of liminality 3. Alternative cultural spaces as liminal spaces 63 3.1 Ahmedabad as a platform for alternative discourses 3.2 Analysing Conflictorium 3.3 Analysing Scrapyard 3.4 Inference – Binary oppositions Conclusion 117 List of references Appendix A Alternative cultural spaces in India Appendix B Alternative cultural spaces in Ahmedabad | ||
700 |
_aReubens, Rebecca (Guide) _970123 |
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890 | _aIndia | ||
891 | _a2017 Batch | ||
891 | _aFD-PG | ||
891 | _aMasters in Interior Architecture and Design |