000			02049nam a22001577a 4500
999			_c56488 _d56488
082			_aI TH-0414 _bARI
100			_aAritakula, Rishi Tej (UI4114) _970973
245			_aTransformation of spaces under the influence of art installations (Softcopy is also available)
260			_a2019
300			_a147p.
505			_aContent A. Abstract B. Proposal Introduction Aims and Objectives Scope and Limitations Methodology of Thesis Methodology of Case Study Chapter 1: Introduction 1.1 Brief: Installation Art 1.2 Installation Art 1.3 Contemporary Installation Artist 1.4 Indian Contemporary Installation Art Chapter 2: Kochi Muziris Biennale 2.1 Biennale 2.2 Kochi Muziris Biennale 2.3 Kochi as the place 2.4 Kochi Muziris Biennale 2018 Chapter 3: Approaches to Understand Installation Art 3.1 Visual system 3.1.1 Incomplete perception 3.1.2 Hierarchy in Perception 3.2 Gestalt principle of visual perception 3.3 Point line and plane 3.4 The idea of Frames 3.4.1 Through the view point of construction 3.4.2 Frames as more than just a cross section Chapter4: Hanger, Aspinwall house 4.1 Message from the Atlantic - Sue Williamson 4.1.1 General Observations 4.1.2 The Phenomenological understanding of artwork 4.1.3 Gestalt with point, line and plane 4.1.4 Inferences 4.1.5 The idea of reference frame 4.1.6 Inference 4.1.7 Sue Williamson in relation with the Curatorial note 4.2 In the Sea of Pain - Raul Zurita 4.2.1 General Observation 4.2.2 Phenomenological Understanding of the Installation 4.2.3 Gestalt with point, line and plane 4.2.4 Inferences 4.3 Inference of Sue Williamson Vs Raul Zurita Chapter5: Admin Block, Aspinwall house 5.1 For in Your tongue - Shilpa Gupta 5.1.1 General Observations 5.1.2 The Phenomenological understanding of artwork 5.1.3 Gestalt with point, line and plane 5.1.4 Sue Williamson in relation with the Curatorial note 5.2 Inferences Chapter6: Conclusion Illustrations credits Bibliography Review notes
700			_aNagarsheth, Snehal (Guide) _970974
890			_aIndia
891			_a2014 Batch
891			_aFD-UG