000			01992 a2200181 4500
999			_c56258 _d56258
020			_a9781138940048
082			_a724.6 _bLAW
100			_aLawrence, Amanda Reeser Ed. _973271
245			_aTerms of appropriation : modern architecture and global exchange
260			_aLondon _bRoutledge _c2018
300			_ax,282p.
505			_aContents About the contributors vii Acknowledgments x Introduction Authorship, transfer, rights, 1 Re-enactments Part 1: Authorship 11 1. Signed, Anonymous: The Persona of the Architect in the Mansion House Debate Timothy Hyde 13 2. The Anxiety of Anonymity: On the Historiographic Problem of Walter Gropius and The Architects Collaborative Michael Kubo 24 3. The Power of Association: Le Corbusier in the Banlieue Kenny Cupers 50 Part 2: Transfer 73 4. Edvard Ravnikar's Eclecticism of Taste and the Politics of Appropriation Vladimir Kulić 75 5. Cold War Adaptations: SIAL Školka's Real and Imaginary Architectural Dialogues with the West Ana Miljački 94 6. Translation Theory and the Intertwined Histories of Building for Self-Governance Esra Akcan 116 Part 3: Rights 139 7. Architecture and Copyright: Rights of Authors and Things in the Age of Reproduction Ines Weizman 141 8. Sufficient Originality: The Legal Contours of Creativity in Architecture Sarah Hirschman 160 9. Architectural Patents Beyond Bucky Fuller’s Quadrant Kevin Emerson Collins 186 Part 4: Reenactments 213 10. By the Book: Philip Johnson's Ledoux Redoux at the University of Houston Amanda Reeser Lawrence 215 11. A Careful Misreading of Precedent: the Politics of Transparency in the work of Lina Bo Bardi David Rifkind 234 12. Not Exactly the Same: On the Fantasy of "Chinese Architectural Copies" Winnie Wong 248 13. Città Analoga: Aldo Rossi's Visual Theory on Display Szacka, Léa-Catherine 263 Index 277
600			_973155
700			_aMiljacki, Ana Ed. _973272
890			_aUK
891			_aFA
942			_2ddc