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| 082 |
_aA TH-1346 _bSAI |
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| 100 |
_aSai, Netra Ramesh (UA4213) _966638 |
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| 245 | 0 | _aAnalogising music and architecture as products of a common cultural Milieu : a case of Karnatic music and temple architecture of the Vijayanagara empire (Also available on CD) | |
| 260 | _c2018 | ||
| 300 | _a83p.,CD-ROM | ||
| 505 | _aCONTENTS 1. Introduction 6 Topic of Research Purpose of the study Research questions The study Method of study Brief description of the context Scope and limitation 2. Philosophical, architectural and social pretext of The Hindu temple 13 The Temple as an embodiment of philosophical ideas The Temple enabling the practice of Worship The Temple as contemplative and representative of the cosmos The human body as a basis for conception of a temple and its experience The Temple as a manifestation in a built form through design 3. Philosophical, compositional and social milieu of Indian classical music 25 Music as an embodiment of philosophical ideas The goal and purpose of music Music as contemplative of cosmic and metaphysical philosophy The human body as a vehicle and basis of musical composition Manifestation of philosophical principles in a composition through design 4. The aesthetics of Indian art, based on the Indian aesthetic theory 38 Overview The meaning and purpose of art Manifestation of the purpose of art: the process of creation and communication The appreciation of art 5. The Case Study—The context of the Vijayanagara Empire 48 The empire Patronage towards art Temple architecture of Vijayanagara The music of Vijayanagara 6. Analogy of the philosophical relationships between Music and architecture 55 Common philosophical underpinnings A means of obtaining moksha through Devotion: Bhakti and its 9 forms enabled through music and architecture Cosmic significance Relationship with the human body Commonalities in the design paradigm Axiality 7. Conclusion 75 | ||
| 700 |
_aSrivathsan, A.[Guide] _966639 |
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| 890 | _aIndia | ||
| 891 | _a2013 Batch | ||
| 891 | _aFA-UG | ||