000			03175nam a2200169Ia 4500
999			_c55057 _d55057
008			180908s9999||||xx |||||||||||||| ||und||
082			_aM.Arch TH-0155 _bCAN
100			_aCanara, Steven (PA104816) _963403
245		0	_aPhenomenon of kinesthetic perception in architectural spaces (Softcopy is also available)
260			_c2018
300			_av,xii,172p.
505			_aContents : Abstract i Acknowledgement iii Contents v List of figures viii 1.0 INTRODUCTION TO THE TOPIC 1.1.1 – Introduction 04 1.1.2 - Premises & Subjectivity statement 06 1.1.3 - Structure of the study 07 1.1.4 - Terminologies associated with movement and perception 1.1.4.1 – Kinesthetics 09 1.1.4.2 – Perception 10 1.1.4.3 - Types of perception 11 1.1.4.4 - Kinesthetic perception 12 2.0 ANALYTICAL FRAMEWORK: 2.1.1 - Literature studies (research papers & books) 15 2.1.2 - Theories 17 2.1.3 - Synthesis of Literature studies 19 2.1.4 - Framework for analysis 20 2.1.5 - Elaboration of the analytical framework 2.1.5.1 - Decoding the path of movement 21 2.1.5.2 - Decoding the spatial frames 25 3.0 CASE-STUDIES 3.1.1 - Rationale for selecting the case studies 32 3.1.2 – Annontations 33 3.1.3 - Gandhi Ashram 35 3.1.4 - Decoding the path of movement 3.1.4.1 - Movement pattern 37 3.1.4.2 - Sequence of spaces 39 3.1.5 - Decoding the spatial frames 3.1.5.1 - Path A 43 3.1.5.2 - Path B 52 3.1.5.3 - Path C 61 3.1.6 - Emergent experiences 67 3.2.1 - Gandhi Labor Institute 68 3.2.2 - Decoding the path of movement 3.2.2.1 - Movement pattern 70 3.2.2.2 - Sequence of spaces 72 3.2.3 - Decoding the spatial frames 3.2.3.1 - Path A 76 3.2.3.2 - Path B 83 3.2.3.3 - Path C 89 3.2.3.4 - Path D 92 3.2.3.5 - Path E 97 3.2.3.6 - Path F 104 3.2.4 - Emergent experiences 110 3.3.1 - C.E.E 112 3.3.2 - Decoding the path of movement 3.3.2.1 - Movement pattern 114 3.3.2.2 - Sequence of spaces 116 3.3.3 - Decoding the spatial frames 3.3.3.1 - Path A 120 3.3.3.2 - Path B1 128 3.3.3.3 - Path B2 130 3.3.3.4 - Path C 140 3.3.4 - Emergent experiences 146 4.0 CONCLUSION 4.1.1 - Comparative analysis 4.1.1.1 - Movement pattern 150 4.1.1.2 - Sequence of movement & pause points 152 4.1.1.3 - Articulation of the spatial frames (G.A.) 154 4.1.1.4 - Articulation of the spatial frames (G.L.I.) 156 4.1.1.5 - Articulation of the spatial frames (C.E.E.) 158 4.1.1.6 - Scalar sequence 160 4.1.1.7 - Approach towards symmetry & continuation 161 4.1.1.8 - Approach towards natural light 162 4.2.1 - Learnings from the study 4.2.1.1 - Articulation of the spatial organization 164 4.2.1.2 - Articulation of the pause pints & focal points 165 4.2.1.3 - Articulation of the spatial frames 166 4.2.1.4 - Articulation of the Spatial elements 167 4.2.1.5 - Approach towards the Gestalt principles 168 4.2.1.6 -Approach towards the organizational elements(scale) 169 4.2.1.7 - Articulation of the natural elements 170 4.3.1 - Concluding note 171 4.3.2 – References 172
700			_aBhatt, Purvi (Guide) _93496
890			_aIndia
891			_a2016 Batch
891			_aFA-PG