000			02991 a2200193 4500
999			_c54491 _d54491
020			_a9781853960321
082			_a709.034 _bFRA
100			_aFrascina, Francis Ed. _964217
245			_aModern art and modernism : a critical anthology
250			_a1982
260			_aLondon _bPaul Chapman Pub. Ltd. _c1982
300			_avii,312p.
505			_aCONTENTS Introduction Introductory Texts 3 1. Clement Greenberg Modernist Painting 5 2. Sir Karl Popper Historical Interpretation 11 Section One Modern Life, Modernite and Modernism 3. Charles Baudelaire The Salon of 1846 : On the Heroism of Modern Life 17 4. Charles Baudelaire The Salon of 1859 : The Modern Public and Photography 19 5. Charles Baudelaire The Painter of Modern Life 23 6. Emile Zola Edouard Manet 29 7. Stiphane Mallarmi The Impressionists and Edouard Manet 39 8. ].K . Huysmans 'L'Exposition des lndependants' in 1880 45 9. Maurice Denis From Gauguin and Van Gogh to Classicism 51 10. Maurice Denis Cezanne 57 Section Two The Development of Modernism 11. Clive Bell The Aesthetic Hypothesis 67 12. Clive Bell The Debt to Cezanne 75 13. Roger Fry An Essay in Aesthetics 79 14. Roger Fry The French Post-Impressionists 89 15. Clement Greenberg 'American-Type' Painting 93 16. Clement Greenberg Collage 105 17. Clement Greenberg Master Leger 109 18. Michael Fried Three American Painters 115 19. Herbert Read What is Revolutionary Art? 123 20. Donald Judd Barnett Newman 129 Section Three Abstraction 21. Nikolai Tarabukin From the Easel to the Machine 135 22. Bertolt Brecht On Non-Objective Painting 143 23. Hilla Rebay The Beauty of Non-Objectivity 145 24. Ernst Gombrich Illusion and Visual Deadlock 149 Section Four Expressionism 25. Wilhelm Worringer Abstraction and Empathy 159 26. Hermann Bahr Expression 27. Sheldon Cheney Abstraction and Mysticism 171 28. Ernst Gombrich Expression and Communication 177 29. Nelson Goodman Art and Inquiry 191 Section Five Art and Society 30. Julius Meier-Graefe The Development of Modern Art 205 31. Leon Trotsky Literature and Revolution 209 32. Walter Benjamin The Author as Producer 213 33. Walter Benjamin The Work of Art in the Age of Mechanical Reproduction 217 34. PaulEluard Poetic Evidence 221 35. Bertolt Brecht Popularity and Realism 227 36. Arnold Hauser The Sociological Approach: The Concept of Ideology in the History of Art 37. John Berger Leger 239 38. Nicos Hadjinicolaou Art History and Class Struggle 243 39. T.J. Clark On the Social History of Art 249 40. T.J. Clark Preliminaries to a Possible Treatment of Olympia in 1865 259 41. Eunice Lipton The Laundress in Late Nineteenth-century French Culture 275 42. Fred Orton and Griselda Pollock Les Donnees Bretonnantes: La Prairie de la Representation 285 Index 305
600			_960742
700			_aHarrison, Charles Ed. _913625
890			_aUK
891			_aFD
942			_2ddc