000 | 01921 a2200181 4500 | ||
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999 |
_c49092 _d49092 |
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020 | _a9781606065341 | ||
082 |
_a779.092 _bHAM |
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100 |
_aHamill, Sarah Ed. _961563 |
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245 | _aPhotography and sculpture : the art object in reproduction | ||
260 |
_bGetty Research Institute _aLos Angeles _c2017 |
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300 | _aviii,303,ip. | ||
505 | _aCONTENTS Acknowledgments vii Introduction: Reproductive Vision: Photography as a History of Sculpture Sarah Hamill Megan R. Luke 1 Plates 33 Reimagining the Classical Past "Pictorial Silhouettes" and Their Surroundings: Antique Sculpture and Archaeological Photography Stefanie Klamm 50 Sculpture from Behind Jeremy Melius 67 Photography as Carving: The Folios of Clarence Kennedy Sarah Hamill 81 Burckhardt's Eyes: The Photography of Renaissance Architecture between Pedagogy and the Museum Alina Payne 99 Perceiving Sculpture through Photography The Long Arm of the Lens: Photography, Colonialism, and African Sculpture Suzanne Preston Blier 120 Artificial Blindness: Objecthood and the Photography of Sculpture Megan R. Luke 138 Sleight of Eye: Man Ray, Duchamp, and the Photography of New Sculptural Forms Anne McCauley 153 The Sight of Sculpture Stephen Melville 175 Technologizing Experience Solid Sight: Sculpture in Stereo Britt Salvesen 192 A Virtual Presence in Space D. N. Rodowick 210 For an Ethnosociology of Sculpture and Photography in India Christopher Pinney 222 Evidence of Sculpture Jeffrey Weiss 235 Reflections Pronk Photography Geoffrey Batchen 252 Sculpture in Photography Alex Potts 261 Sculpture's Present, Photography's Past Anne M. Wagner 270 Epilogue Photographing Sculpture, Sculpting Photography Geraldine A. Johnson 276 Biographical Notes on Contributors 291 Illustration Credits 292 Index 293 | ||
600 | _959303 | ||
700 |
_aLuke, Megan R. Ed. _961564 |
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890 | _aUSA | ||
891 | _aFA | ||
942 | _2ddc |