000 | 03183 a2200169 4500 | ||
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020 | _a9781856697217 | ||
082 |
_a745.54 _bJAC |
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100 | _aJackson, Paul | ||
245 |
_aFolding techniques for designers _bfrom sheet to form |
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260 |
_c2013 _bLaurence King Publishing Ltd. _aLondon |
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300 |
_a223,ip. _bCD-Rom |
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500 | _aCONTENT Introduction 09 How to Use the Book 10-11 01.BASIC CONCEPTS 1.1.Dividing the Paper 16 1.1.1.Linear Divisions: Sixteenths 16-17 Linear Thirty-seconds 18-19 Linear Sixty-fourths 20 1.1.2.Rotational Divisions: Sixteenths 21-22 Rotational Sixteenths Variations 23-25 Rotational Thirty-seconds 26 1.1.3.Diagonal Divisions 27-28 1.1.4.Grid Divisions 29-30 1.2.Symmetrical Repeats 31 1.2.1.Translation 31-34 1.2.2.Reflection 35 1.2.3.Rotation 36-39 1.2.4.Glide Reflection 40-43 1.3.Stretch and Skew 44 1.3.1.Stretch 44-47 1.3.2.Skew 48-50 1.4.Polygons51 02.BASIC PLEATS 2.1.Accordion Pleats 55 2.1.1.Linear 55-57 2.1.2.Rotational 58-60 2.1.3.Cylinders and Cones 60-63 2.2.Knife Pleats 64 2.2.1.Linear 64-65 2.2.2.Rotational 66-67 2.2.3.Reflected 66 2.2A.Cylinders and Cones 69-71 2.3.Box Pleats 72 2.3.1.Linear 72-73 2.3.2.Rotational 74-76 2.3.3.Cylinders and Cones 76-77 2.4.Incremental Pleats 78-79 03.OTHER PLEATS 3.1.Spiral Pleats 82 3.1.1.Simple Spirals 82-83 3.1.2.Box Spirals 84-89 3.2.Gathered Pleats 90 3.2.1.Accordion Pleat 90-93 3.2.2.Knife Pleats 94-97 3.3.Twisted Pleats 98-99 04.V-PLEATS 4.1.Basic V-pleats 102-104 4.2.Making by Hand 105-107 4.3.Variations 108 4.3.1.Moving the Line of Symmetry 108-109 4.3.2.Changing the Angle of the V-pleats 110-111 4.3.3.Breaking Symmetry 112-113 4.3.4.Coexisting Vs 114-116 4.4.Multiple Vs 117 4.4.2.Making by Hand 117-119 4.4.3.Variations 120-123 4.5.Grid Vs 124 4.5.1.Making by Hand124-127 4.5.2.Variations 128-129 4.6.Cylindrical Vs 130-132 4.7.Complex Surfaces 133-135 05.SPANS 8. PARABOLAS 5.1.X-form Spans 138-141 5.2.V-fold Spans 142-144 5.3.Parabolas 145 5.3.1.Basic Parabola 145-147 5.3.2.Variations 148-153 06.BOXES & BOWLS 6.1.Boxes 156 6.1.1.Masu Box 156-159 6.1.2.Masu Variations 160-161 6.1.3.Roll Box 162-164 6.1.4.Corner Gather 165-167 6.2.Bowl Forms 168-173 07.NO CREASE, ONE CREASE 7.1.No Crease 176-177 7.1.1.No Crease Variations 178-183 7.2.One Crease 184 7.2.1.How to Make the Break 184 7.2.2.Break Variations 185 7.2.3.Making the Break Permanent 186-188 7.2.4.One Crease Variations 189-191 7.2.5.Less than One Crease 192-193 7.2.6.More than One Crease 194-197 08.CRUMPLING 8.1.The Basic Technique 202 8.1.1.The Basic Method 202-204 8.1.2.Making Ribs 205-207 8.1.3.Making a Mould 208-209 8.2.Linear Crumpling 210 8.2.1.The Basic Linear Method 210-211 8.2.2.Linear Forms 212-213 8.3.Rotational Crumpling 214 8.3.1.The Basic Rotational Method 214-215 8.3.2.Rotational Forms 216-217 8.4.Advanced Concepts 218 8.4.1.3-D Forms 218 8.4.2.Super-sizing 218 8.4.3.Crumpling and Morphing 219 8.4.4.Multi Layers 220-221 FAQs 222-223 Acknowledgements 224 | ||
650 |
_aPaper work _aPaper folding (Graphic design) _998091 |
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890 | _aUnited Kingdom | ||
891 | _aFD | ||
942 | _2ddc | ||
999 |
_c39598 _d39598 |