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020			_a071365001X
082			_a745.501 _bGRE
100			_aGreenhalgh, Paul Ed. _912486
245			_aPersistence of craft _bthe applied arts today
260			_c2002 _bA&C Black _aLondon
300			_avi,218p.
520			_aCONTENTS CHAPTER 1 Introduction: Craft in a Changing World 1 Paul Greenhalgh CHAPTER 2 The Genre 18 Paul Greenhalgh CHAPTER 3 Studio Craft and Craftical Formation 28 Kaneko Kenji CHAPTER 4 Art Manufacturers of the 21st Century 37 Karen Livingstone CHAPTER 5 Re-inventing the Wheel- The Origins of Studio Pottery 49 Julian Stair CHAPTER 6 Creating Lasting Values 61 Gareth Williams CHAPTER 7 Glassmaking and the Evolution of the Craft Process 73 Keith Cummings CHAPTER 8 Major Themes in Contemporary Ceramic Art 84 Ronald Kuchta CHAPTER 9 Site-Specific Mctalwork: An Architectural Dialogue 93 Albert Paley CHAPTER10 Studio Jewellery: Mapping the Absent Body 107 Linda Sandino CHAPTER 11 Poor Materials Imaginatively Applied: New Approaches to Furniture 117 Joellen Secondo CHAPTER 12 The Transformation of Textile Art: A Japanese Case Study 128 Yoko Imai CHAPTER 13 Neo-Tradition: A Nordic Case Study 138 Widar Halen CHAPTER 14 Pluralityand Necessity: An Antipodean Case Study 149 Janet Mansfield CHAPTER 15 Shared Territory and Contested Spaces: An Anthropological Perspective160 Carole E. Mayer CHAPTER 16 Intellectual Colonialism: Post-war Avant-garde Jewellery 173 Simon Fraser CHAPTER 17 Altogether Elsewhere: The Figuring of Ethnicity 185 Edmund de Waal CHAPTER 18 Complexity 195 Paul Greenhalgh Bibliography 209 Index 216
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999			_c39564 _d39564