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Narrative of mangaldas ni haveli (Softcopy is also available)

By: Contributor(s): Material type: TextTextPublication details: 2021Description: x,150pDDC classification:
  • I TH-0510 VAD
Contents:
Content 0 RESEARCH PROPOSAL 0.1 AIM of the research 6 0.2 Research Questions 6 0.3 Objectives 7 0.4 Scope and Limitations 8 0.5 Research Methodology 9 0.6 Criteria for selecting case study 10 00 INTRODUCTION 12 01 A BEGINNING 1.1 Conservation 18 1.2 Why adaptive reuse? 21 1.3 Adaptive reuse in heritage building 26 1.4 Mindset of Carlo Scarpa 28 1.4.1 Villa Ottolenghi 29 1.4.2 Olivetti showroom 34 1.4.3 Inferences 42 02 UNDERSTANDING THE FACTORS 2.1 Ethos 46 2.2 Locus 47 2.3 Memory 47 2.4 Individuality 49 2.5 Elements 49 2.6 Qualities 50 03 THE METHOD 3.1 Defining narrative 56 3.2 Ethos and narrative 57 3.3 How to develop narrative 58 04 CASE STUDY 4.1 Method 64 4.2 Approaches to adaptive reuse 66 4.3 Analysis 68 4.3.1 House of MG 70 4.3.2 Mangaldas ni Haveli l 96 4.3.3 Mangaldas ni Haveli ll 112 C O N C L U S I O N 128 Glossary 137 Bibliography 138 Image credits 144
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Item type Current library Collection Call number Status Date due Barcode Item holds
Thesis CEPT Library Faculty of Design I TH-0510 VAD Not For Loan 023286
Total holds: 0

Content
0 RESEARCH PROPOSAL
0.1 AIM of the research 6
0.2 Research Questions 6
0.3 Objectives 7
0.4 Scope and Limitations 8
0.5 Research Methodology 9
0.6 Criteria for selecting case study 10
00 INTRODUCTION 12
01 A BEGINNING
1.1 Conservation 18
1.2 Why adaptive reuse? 21
1.3 Adaptive reuse in heritage building 26
1.4 Mindset of Carlo Scarpa 28
1.4.1 Villa Ottolenghi 29
1.4.2 Olivetti showroom 34
1.4.3 Inferences 42
02 UNDERSTANDING THE FACTORS
2.1 Ethos 46
2.2 Locus 47
2.3 Memory 47
2.4 Individuality 49
2.5 Elements 49
2.6 Qualities 50
03 THE METHOD
3.1 Defining narrative 56
3.2 Ethos and narrative 57
3.3 How to develop narrative 58
04 CASE STUDY
4.1 Method 64
4.2 Approaches to adaptive reuse 66
4.3 Analysis 68
4.3.1 House of MG 70
4.3.2 Mangaldas ni Haveli l 96
4.3.3 Mangaldas ni Haveli ll 112
C O N C L U S I O N 128
Glossary 137
Bibliography 138
Image credits 144

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