TY  - GEN
AU  - Benisti, Mireille
TI  - Stylistics of early Khmer art Vol.I : text
SN  - 9788173052569
U1  - 730.954 
PY  - 2003///
CY  - New Delhi
PB  - Indira Gandhi national centre for the arts
KW  -  
N1  - CONTENTS
Preface	v
Table of Plates	xi
I. Relations Between Early Khmer and Indian Art	1
Introduction	1
Simple motifs	24
The kudu	24
The makara	29
The monster face	38
The hamsa frieze	46
The leaf of abundance	52
The scroll	55
The frieze of jutting leaves	60
The volute-pendant leaf	62
The garland	66
The baluster frieze	76
The check pattern	79
The floral trellis	82
The bezel band	87
The band with alternate lozenge and round themes	91
Complex motifs	99
The lintel	100
The colonnette	115
The edifice representation	121
Associated motifs	135
Absences of motifs	140
General considerations	146
Cited works	176
II. Research on Early Khmer Art	183
1.Thala Borivat lintels	183
2."The bezel band", chronological criterion	196
3.On the borders of Prei Kmeng and Kompong Preah styles	209
4.Decorated pedestals	235
5.The monster-face	256
6.Unpublished and unknowTi lintels	272
7.The problem of Sambor S. 1	303
Notes on Khmer Iconography	325
1.Two nautical scenes	325
2.An offering scene	329
3.On a lintel of Sambor Prei Kuk	333
4.Concerning a lintel from Vat Baset	339
5.Krsna and Kesin	343
6.The Buddhist lintel in Prasat Crap	349
7.Karaikkalammaiyar	356
8.Vat Preah Theat lintel	359
9.Yeai Pu pediment	OOD
10. First representations of Sri Laksmi	370
11.Ba Kan slab sculpted on both sides	376

ER  -