TY  - GEN
AU  - Greenhalgh, Paul Ed.
TI  - Persistence of craft: the applied arts today
SN  - 071365001X
U1  - 745.501 
PY  - 2002///
CY  - London
PB  - A&C Black
N2  - CONTENTS
CHAPTER 1   Introduction: Craft in a Changing World 				1
 Paul Greenhalgh
CHAPTER 2   The Genre 								18					 Paul Greenhalgh
CHAPTER 3   Studio Craft and Craftical Formation 				28					 Kaneko Kenji
CHAPTER 4   Art Manufacturers of the 21st Century 				37
 Karen Livingstone
CHAPTER 5   Re-inventing the Wheel- The Origins of Studio Pottery 		49					 Julian Stair
CHAPTER 6   Creating Lasting Values 						61 					Gareth Williams
CHAPTER 7   Glassmaking and the Evolution of the Craft Process			73					 Keith Cummings
CHAPTER 8   Major Themes in Contemporary  Ceramic Art 			84					Ronald Kuchta			 
CHAPTER 9   Site-Specific Mctalwork: An Architectural Dialogue			93					 Albert Paley
CHAPTER10 Studio Jewellery: Mapping the Absent Body   			107 					Linda Sandino
CHAPTER 11 Poor Materials Imaginatively Applied: New Approaches to Furniture	117					 Joellen Secondo
CHAPTER 12 The Transformation of Textile Art: A Japanese Case Study		128					 Yoko Imai
CHAPTER 13 Neo-Tradition: A Nordic Case Study 					138 					Widar Halen
CHAPTER 14 Pluralityand Necessity: An Antipodean Case Study			149					 Janet Mansfield
CHAPTER 15 Shared Territory and Contested Spaces: An Anthropological Perspective160
 Carole E. Mayer
CHAPTER 16 Intellectual Colonialism: Post-war Avant-garde Jewellery 		173					Simon Fraser
CHAPTER 17 Altogether Elsewhere:  The Figuring of Ethnicity			185					 Edmund de Waal
CHAPTER 18 Complexity								 195					 Paul Greenhalgh
Bibliography 									209			 Index                                                                           				216

ER  -