Contents
TRANSLATOR'S PREFACE VII
1 SAINT SEBASTIAN 3
2 REFLECTIONS 9
3 FEDERICO GARCIA LORCA 10
4 PHOTOGRAPHY: PURE CREATION OF THE MIND 12
5 MY PAINTINGS IN THE AUTUMN SALON 15
6 CURRENT THEMES ON THE LEFT AND RIGHT 17
7 Two PROSE PIECES 20
8 ART FILMS, ANTI-ARTISTIC SPOOL 23
9 NEW LIMITS OF PAINTING 28
10 POEM 42
11 POETRY OF STANDARDIZED UTILITY 43
12 ANTI-ARTISTIC MANIFESTO (YELLOW MANIFESTO) 46
13 FOR THE SITGES MEETING 51
14 JOAN MIRO 53
15 POEM OF LITTLE THINGS 55
16 FISH PURSUED BY A GRAPE 56
17 LECTURE BILL AT THE AUTUMN SALON 59
18 REALITY AND SURREALITY 61
19 HAVE I DENIED, PERHAPS? 67
20 PHOTOGRAPHIC DATA 70
21 WITH THE SUN 73
22 REVIEW OF ANTI-ARTISTIC TRENDS 75
23 AT THE MOMENT 78
24 ••• ALWAYS, ABOVE MUSIC, HARRY LANGDON 80
25 NO. 1 TIMES SIX 81
26 THE LIBERATION OF THE FINGERS 82
27 ••• A YOUNG MAN 85
28 LUIS BUNUEL 87
29 A FEATHER 90
30 DOCUMENTARY - PARIS 1929 - I 93
31 DOCUMENTARY - PARIS 1929 - II 96
32 DOCUMENTARY - PARIS 1929 - III 98
33 DOCUMENTARY - PARIS 1929 - IV 101
34 DOCUMENTARY - PARIS 1929 - V 104
35 DOCUMENTARY - PARIS 1929 - VI 106
36 AN ANDALUSIAN DOG 108
37 THE MORAL POSITION OF SURREALISM 110
38 THE ROTTING DONKEY 115
39 THE GRAND MASTURBATOR 120
40 ABOVE ALL, ORNAMENTAL ART 134
41 SURREALIST OBJECTS 135
42 REVERIE 139
43 PSYCHO-ATMOSPHERIC-ANAMORPH IC OBJECTS 153
NOTES 159