Representing place : landscape painting and maps

By:

Casey, Edward S

Publication details: London University of Minnesota Press 2002Description: xx,366,ipISBN:

9780816637157

Subject(s):

DDC classification:

758.1 CAS

Contents:

Contents List of Illustrations ix Prologue : What Does It Mean to Represent Landscape? Xiii Acknowledgements xix Part 1: Painting the Land 1. From Landskip to Landscape 3 2. Finding Place for the Elemental 20 3. Apocalyptic and Contemplative Sublimity 40 4. Pursuing the Natural Sublime : Thomas Cole's The Oxbow 56 5. Representing a Region : East Anglia in the Eyes of John Constable 74 6. Representing Place Elsewhere : Northern Sung Landscape Painting 92 INTERLUDE: Material Conditions of Representing Place in Landscape Painting 119 Part 2: Mapping the Land 7. First Considerations 131 8. Cartography and Chorography 154 9. Discursive and Presentational Symbolism in Maps : the Revealing Case of Portolan Charts 171 10. Far-out Mapping 194 11. Rectangularity and Truth 213 Part 3: Re-implacement in Mapping and Painting 12. Re-presenting Representation 233 Epilogue: Landscape Experienced and Re-presented 262 Notes 277 Glossary 347 Index 357

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode	Item holds
Book	CEPT Library	Faculty of Architecture	758.1 CAS	Available		023164

Total holds: 0

Contents
List of Illustrations ix
Prologue : What Does It Mean to Represent Landscape? Xiii
Acknowledgements xix
Part 1: Painting the Land
1. From Landskip to Landscape 3
2. Finding Place for the Elemental 20
3. Apocalyptic and Contemplative Sublimity 40
4. Pursuing the Natural Sublime : Thomas Cole's The Oxbow 56
5. Representing a Region : East Anglia in the Eyes of John Constable 74
6. Representing Place Elsewhere : Northern Sung Landscape Painting 92
INTERLUDE: Material Conditions of Representing Place in Landscape Painting 119
Part 2: Mapping the Land
7. First Considerations 131
8. Cartography and Chorography 154
9. Discursive and Presentational Symbolism in Maps : the Revealing Case of Portolan Charts 171
10. Far-out Mapping 194
11. Rectangularity and Truth 213
Part 3: Re-implacement in Mapping and Painting
12. Re-presenting Representation 233
Epilogue: Landscape Experienced and Re-presented 262
Notes 277
Glossary 347
Index 357

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