CONTENTS Illustrations viii Contributors , x Preface xiii Introduction: Towards global design history 1 Sarah Teasley, Giorgio Riello and Clenn Adamson 1 The Global Renaissance: Cross-cultural objects in the early modern period 11 Marta Ajmar- Wollheim and Luca Mola Response 21 Dana Leibsohn 2 Global design in Jingdezhen: Local production and global connections 25 Anne Gerritsen Response 34 Beverly Lemire 3 Indian cottons and European fashion, 1400-1800 37 John Styles Response 47 Prasannan Parthasarathi 4 Import substitution, innovation and the tea ceremony in fifteenth- and sixteenth-century Japan 50 Christine M. E. Guth Response 60 Maxim Berg 5 The globalization of the fashion city 63 Christopher Breward Response 69 Simona Segre Reinach 6 Performing white South African identity through international and empire exhibitions 72 Dipti Bhagat Response 82 Angus Lockyer 7 From the far corners':Telephones, globalization, and the production of locality in the 1920s 85 Michael J. Golec Response 95 Anne Bahama 8 The globalization of the DeutscherWerkbund: Design reform, industrial policy, and German foreign policy, 1907-1914 98 John VMaduika Response 107 Paul Belts 9 Where in the world is design? The case of India, 1900-1945110 Victor Margolin Response 119 Christopher Pinney 10 Handmade modernity: Post-war design in Turkey 123 Go'khan Karaku Response 134 Edward S. Cooke,Jr. 11 Old empire and new global luxury: Fashioning global design 138 Peter McNeil Response 150 Shehnaz Suterwalla 12 Analyzing social networking websites:The design of Happy Network in China153 Basile Zimmermann Response 163 Ngai-Ling Sum 13 From nation-bound histories to global narratives of architecture 166 Jilly Traganou Response: Global agoraphobia 174 Lucia Allais 14 e-Artisans: Contemporary design for the global market180 Tom Barker and Ashley Hall Response 189 Shannon May Resource Guide 192 Bibliography 212 Index 223