Hitchcock (Record no. 70669)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06386 a2200157 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780671604295 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.43 |
| Item number | TRU |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Truffaut, Francois |
| 245 ## - TITLE STATEMENT | |
| Title | Hitchcock |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York |
| Name of publisher, distributor, etc | Simon & Schuster Paperbacks |
| Date of publication, distribution, etc | 1984 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 367p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Contents<br/>Preface to the Revised Edition 11<br/>Introduction 13<br/>1: Childhood • Behind prison bars • "Came<br/>the dawn" • Michael Balcon • Woman to<br/>Woman • Number Thirteen • Introducing<br/>the future Mrs. Hitchcock • A melodramatic<br/>shooting: The Pleasure Garden • The<br/>Mountain Eagle 25<br/>2: The first true Hitchcock: The Lodger• Creating<br/>a purely visual form • The glass floor<br/>• Handcuffs and sex • Why Hitchcock appear<br/>in his films • Downhill • Easy Virtue<br/>• The Ring and One-Round Jack • The<br/>Farmer's lWife • The Griffith influence •<br/>Champagne • The last silent movie: The<br/>Manxman. 43<br/>3: Hitchcock's first sound film: Blackmail •<br/>The Shuftan process• Juno and the Paycock<br/>• Why Hitchcock will never film<br/>Crime and Punishment • What is suspense?<br/>• Murder • Tlte Skin Gmne • Rich<br/>and Strange • Two innocents in Paris •<br/>Number SeYenteen • Cats, cats everywhere<br/>• Waltzes from Vienna • The lowest ebb<br/>and the comeback . 63<br/>4. The Man Who Knew 'Too Much • When<br/>Churchill was chief of police • M • From<br/>"The One Note 1-fan" to the deadly cymbals<br/>• Clarification and simplification • The<br/>Thirty-nine Steps • John Buchan's influence<br/>• Understatement • An old, bawdy story<br/>• Mr. Memory • Slice of life and slice of Cake 89<br/>5. The Secret Agent• You don't always need<br/>a happy ending • What do they have in<br/>Switzerland?• Sabotage• The child and the<br/>bomb • An example of suspense• The Lady<br/>Vanishes • The plausible • A wire from<br/>David 0. Selznick • The last British film:<br/>Jamaica Inn• Some concl11sions about the<br/>British period . 105<br/>6: Rebecca: A Cinderella-like story • ''I've<br/>never received an Oscar" • Foreign Correspondent•<br/>Gary Cooper's mistake• In Holland,<br/>windmills and rain • The bloodstained<br/>tulip • What's a ~1acGuffin? •<br/>Flashback to The Thirty-nine Steps •<br/>Mr. and Mrs. Smith • "All actors are<br/>cattle" • Suspicion • The luminous glass of milk 127<br/>7. Sabotage versus Saboteur• A mass of ideas<br/>Clutters up a picture• Shadow of (l Doubt•<br/>Tribute to Thornton Wilder • "The Merry<br/>Widow" • An idealistic killer • Lifeboat •<br/>A microcosm of war • Like a pack of dogs<br/>• Return to London • Modest war contribution:<br/>Bon Voyage and A venture Malgache . 145<br/>8: Return to America • Spellbound • Collaboration With Salvador Dali • Notoriom •<br/>"The Song of the Flame"• The uranium<br/>MacCuffin • Under surveillance by the FBI • A film about the cinema • The Paradine<br/>Case • Can Gregory Peck play a British lawyer? • An intricate shot • Horny hands, like the devil! 163<br/>9: Rope; From 7:30 to 9: 15 in one shot<br/>Clouds of spun glass • Colors and shadows<br/>• Walls that fade away· Films must be cut<br/>• How to make noises rise from the street •<br/>Under Capricorn • Infantilism and other<br/>errors in judgment • Run for cover! • "Ingrid,<br/>it's only a movie!"• Stage Fright• The<br/>flashback that lied • The better the villain,<br/>the better the picture 179<br/>10: Spectacular comeback via Strangers on a<br/>Train• A monopoly on the suspense genre<br/>• The little man who crawled • A bitchv<br/>wife • I Confess • A "barbaric sophisticate;.<br/>• The sanctity of confession • Experience<br/>alone is not enough • Fear of the police •<br/>Story of a menage a trois 193<br/>11: Dial M for Murder• Filming in 3-D • The<br/>theater confines the action • Rear Window<br/>• The Kuleshov experiment • We arc all<br/>voyeurs • Death of a small dog • The size<br/>of the image has a dramatic purpose • The<br/>surprise kiss versus the suspense kiss • The<br/>Patrick Mahon case and the Dr. Crippen<br/>case• To Catch a Thief• Sex on the screen<br/>• The Trouble with Harry • The humor of<br/>understatement• '/'he I\.Jcm Who Knew Too<br/>Much • A knife in the back • The clash of cymbals 209<br/>12: The Wrong Man • Absolute authenticity •<br/>Vertigo • The usual alternatives: suspense<br/>or surprise • Necrophilia• Kim Novak on<br/>the set • Two projects that were never<br/>filmed• A political suspense movie• North<br/>by Northwest • The importance of photographic<br/>documentation • Dealing with<br/>time and space • The practice of the<br/>absurd • The body that came from nowhere , 235<br/>13: Ideas in the middle of the night• The longest<br/>kiss in screen history • A case of pure<br/>exhibitionism• Never waste space• Screen<br/>imagery is make-believe • Ps}'cho • Janet<br/>Leigh's brassi~re. • Reel herrings• Directing<br/>the audience• How Arbogast was killed• A<br/>shower stabbing • Stuffed birds • Hmv to<br/>get mass emotions• Psvcho: A film-maker's film . , 259<br/>14: The Birds• The elderly ornithologist • The<br/>gouged-out eyes • The girl in a gilded cage<br/>• Improvisations • The size of the image •<br/>The scene that was dropped • An emotional<br/>truck • Electronic sounds • Practical jokes . 285<br/>15: Mamie • A fetishist love • The Three Hostages,<br/>Mar}' Rose, and RR.RR. • Tom Cmtain • The bus is the villain• The scene<br/>in the factory • Every film is a brand-new<br/>experience • The rising curve • The situation film versus the character film • "l only<br/>read the London Times"• A strictly visual<br/>mind • Hitchcock a Catholic film-maker? •<br/>dream for the future: A film showing twenty-four hours in the life of a city 301<br/>16: Hitchcock's final vcars • Grace Kcllv abandons<br/>the cinema; More on The Birds, Marnie,<br/>and Tom Curtain • Hitch misses the<br/>stars • The "great flawed films" • A project<br/>that was dropped• Topaz made to order for<br/>the front office • Return to Loudon with<br/>Frenzy• The pacemaker and Family Plot•<br/>Hitchcock laden down with tributes and<br/>honors • Love and espionage • The Short<br/>Night• Hitchcock is ill, Sir Alfred is dead• The end . 323<br/>The Films of Alfred Hitchcock 351<br/>Sckctccl Bibliography 363<br/>Index of Film Titles 364<br/>Index of ~ames 365<br/> |
| 890 ## - Country | |
| Country | USA |
| 891 ## - Topic | |
| Topic | FA |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Motion picture producers and directors |
| -- | Hitchcock, Alfred, 1899-1980 |
| -- | Motion pictures |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Total Renewals | Full call number | Barcode | Date last seen | Date last borrowed | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 04/04/2023 | amazon.in | 2123.00 | 2 | 3 | 791.43 TRU | 024784 | 24/05/2023 | 11/05/2023 | 2123.00 | 04/04/2023 | Book |