More than a decorative veneer-commissioned Mahbubani wall paintings in Patna (Soft copy is also available) (Record no. 68725)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02097nam a22001697a 4500 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | M.Arch TH-0254 |
| Item number | SHA |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sharma, Sprya (PG181036) |
| 245 ## - TITLE STATEMENT | |
| Title | More than a decorative veneer-commissioned Mahbubani wall paintings in Patna (Soft copy is also available) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xiv,90p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Table of contents <br/>Undertaking i <br/>Certificate iv <br/>Acknowledgments vi <br/>Abstract viii <br/>Table of contents x <br/>List of figures xiii <br/>1 Introduction 1 <br/>1.1 The Painted city 1 <br/>1.2 Literature Study 6 <br/>1.2.1 Understanding the History and Journey of Madhubani Paintings 7 <br/>1.2.2 Understanding Commissioning of Art 7 <br/>1.2.3 Understanding related philosophies 8 <br/>1.3 Need for study 10 <br/>1.4 Aim and Research Questions 11 <br/>1.5 Site of Study 12 <br/>1.6 Method and Approach 12 <br/>1.6.1 Site Visits: 13 <br/>1.6.2 Visual documentation: 14 <br/>1.6.3 Interviews: 14 <br/>1.6.4 Secondary Sources 15 <br/>1.6.5 Editing: 15 <br/>1.6.6 Theorizing: 15 <br/>1.7 Sampling and Analysis of Data 16 <br/>1.8 Scope 17 <br/>2 From the Nuptial Rooms to the Smart City Walls 19 <br/>2.1 Introduction 19 <br/>2.2 Artistic Identity 19 <br/>2.3 Intervention of Authority 23 <br/>2.4 Wall to paper transformation 27 <br/>2.5 Commercialization of the Art 33 <br/>2.6 Paper to Urban Walls Transformation 36 <br/>2.7 Conclusion 39 <br/>3 Power, Paint and Public Walls 41 <br/>3.1 Introduction 41 <br/>3.2 Brief Introduction of the Smart Cities Mission 44 <br/>3.3 Commissioning of Paintings under the Smart Cities Mission 44 <br/>3.4 Why Madhubani Art 52 <br/>3.5 How commissioning changed the Madhubani Art? 55 <br/>3.6 Madhubani Paintings on the Urban Surfaces 56 <br/>3.7 Conclusion 59 <br/>4 Participation, Response and Negotiation 61 <br/>4.1 Introduction 61 <br/>4.2 Managing Visibility of the Paintings 62 <br/>4.3 Spatial Negotiations and the Paintings 67 <br/>4.4 Conclusion 72 <br/>5 Conclusion 73 <br/>Notes 80 <br/>6 References 81 <br/> |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Khanwalkar, Seema (Guide) |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | 2018 Batch |
| 891 ## - Topic | |
| Topic | FA-PG |
| 891 ## - Topic | |
| Topic | Master of Architecture |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 18/08/2021 | Faculty of Architecture | M.Arch TH-0254 SHA | 022999 | 18/08/2021 | 18/08/2021 | Book |