Choreographed spaces : an inquiry into the subject-observer relationship through a controlled assembly of spatial tectonics (Softcopy is also available) (Record no. 68489)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03943nam a22001577a 4500 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | I TH-0454 |
| Item number | DHA |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dhawan, Harleen (UI1115) |
| 245 ## - TITLE STATEMENT | |
| Title | Choreographed spaces : an inquiry into the subject-observer relationship through a controlled assembly of spatial tectonics (Softcopy is also available) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 223p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Contents<br/>conception - theorization – application<br/>Abstract 05<br/>Acknowledgments 07<br/>Contents 09<br/>Thesis Framework<br/>Aim and Objectives 12<br/>Methodology 13<br/>Scope and Limitation 17<br/>Literature Review 18<br/>Relevance of the Study 21<br/>1 Understanding the Historic Background of<br/>Subject-Observer Relationship through<br/>Art, Cinema, Architecture<br/>Overview 25<br/>1.1 Progression of the Semantics of Interior Spatial Experience 29<br/>1.1.1 The Beginnings of a Static ‘Order’ for The Medieval Age 29<br/>1.1.2 Classical Conception of Space 33<br/>a. Gothic and The Beginnings of An Anthropocentric Expression<br/>b. Renaissance and the liberation from Divine Orders<br/>1.1.3 Baroque and The Use of Compelling Visual Techniques 41<br/>1.1.4 Architecture during the Age of Enlightenment 43<br/>1.1.5 19th Century and the Development of Industrial Age 45<br/>1.1.6 Cubist Art - Man’s Investigation Into Perception 47<br/>1.1.7 Modernism - Age of Reinterpretations 53<br/>1.1.7.1 Cubist Concepts in Le Corbusier’s Architecture<br/>1.2. Motion Pictures as an Expression of Movement in Time 65<br/>1.2.1 Perception of implied movement 65<br/>1.2.2 Influence of Modernist Concepts on Cinema 69<br/>Concluding Inference 73<br/>2 Movement and Perception in Time<br/>Overview 77<br/>2.1 Comparitive Argument - 79<br/>2.1.1 Kinesthetic Approach of Traditional Indian Architecture vs<br/>Modernist Approach of Le Corbusier 79<br/>2.1.2 Inference - Movement and Perception in Space-Time Context 90<br/>2.2 Expression of Movement 93<br/>2.2.1. Visual Movement 93<br/>2.2.1.1. Types of Visual Movement<br/>2.2.2 Spatio-Compositional movement 95<br/>2.2.2.1 Types of spatio-compositional movement<br/>2.2.3 Spatial movement 101<br/>2.2.3.1 Circulation and its types<br/>2.3 Perception in Space-Time Context 103<br/>2.3.1. Types of Perception 103<br/>2.3.1 Types of Perception- Visual, Compositional, Spatial<br/>2.3.2 Montaged Perception<br/>2.3.2 Role of Perception in Choreographing Sequential Unfolding 122<br/>2.3.2.1 Mapping an architectural stroll - Bernard Tschumi’s Manhattan Transcripts<br/>2.3.2.2 Capturing Serial Vision<br/>2.4. Progress of Time 132<br/>2.4.1 Pace of movement - Conflict in Momentum 132<br/>2.4.1 Time and progress 135<br/>Concluding Inference<br/>3 Understanding the Application of Concepts<br/>through Case Studies<br/>Overview 141<br/>3.1 In conversation with Shivdatt Sharma 142<br/>3.1.1 Key inference- Interpreting sequential stages of experience path 145<br/>3.2 Criteria of Selection 148<br/>3.3 Implication of Concepts by Le Corsbusier through Mill Owner’s<br/>Association, Ahmedabad and Chandigarh High Court 151<br/>3.3.1 Overview of articulated concepts 151 <br/>3.3.2 Proportions and anthropometry 159<br/>3.3.3 Expression of Multiplicity in spatial volume 161<br/>3.3.3 a. Interpretation of Multiplicity and Transparency in the<br/>horizontal continuum<br/>3.3.3 b. Interpretation of Multiplicity and Transparency in the<br/>vertical continuum<br/>3.3.4 Architectural stroll 168<br/>3.2 Implication of Strategies in Palace of Assembly, Chandigarh 171<br/>3.2.1 Framework of Analysis 171<br/>3.2.2. Overall spatial composition 173<br/>3.2.3 Movement in the context of space and time 177<br/>3.2.3. Perception in the context of space and time 179<br/>3.2.4 Relative comparison of manipulation with pace of movement<br/>3.3.5.1 Qualitative inference<br/>Concluding Inference 192<br/>Conclusion 195<br/>Scope for Further Research 199<br/>Bibliography 201<br/>List of Figures 204<br/>Appendices 212<br/>Glossary of terms 214<br/>Review Feedback Report 216<br/>Plaigarism Report 219<br/> |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Sutaria Shah, Ratna (Guide) |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | 2015 Batch |
| 891 ## - Topic | |
| Topic | FD-UG |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Faculty of Design | CEPT Library | CEPT Library | 14/03/2021 | Faculty of Design | I TH-0454 DHA | 022756 | 14/03/2021 | 14/03/2021 | Thesis |