Analogising music and architecture as products of a common cultural Milieu : a case of Karnatic music and temple architecture of the Vijayanagara empire (Also available on CD) (Record no. 55974)
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| fixed length control field | 02242nam a2200169Ia 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
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| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | A TH-1346 |
| Item number | SAI |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sai, Netra Ramesh (UA4213) |
| 245 #0 - TITLE STATEMENT | |
| Title | Analogising music and architecture as products of a common cultural Milieu : a case of Karnatic music and temple architecture of the Vijayanagara empire (Also available on CD) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2018 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 83p.,CD-ROM |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | CONTENTS<br/>1. Introduction 6<br/>Topic of Research<br/>Purpose of the study<br/>Research questions<br/>The study<br/>Method of study<br/>Brief description of the context<br/>Scope and limitation<br/>2. Philosophical, architectural and social pretext of The Hindu temple 13<br/>The Temple as an embodiment of philosophical ideas<br/>The Temple enabling the practice of Worship<br/>The Temple as contemplative and representative of the cosmos<br/>The human body as a basis for conception of a temple and its experience<br/>The Temple as a manifestation in a built form through design<br/>3. Philosophical, compositional and social milieu of Indian classical music 25<br/>Music as an embodiment of philosophical ideas<br/>The goal and purpose of music<br/>Music as contemplative of cosmic and metaphysical philosophy<br/>The human body as a vehicle and basis of musical composition<br/>Manifestation of philosophical principles in a composition through design<br/>4. The aesthetics of Indian art, based on the Indian aesthetic theory 38<br/>Overview<br/>The meaning and purpose of art<br/>Manifestation of the purpose of art: the process of creation and communication<br/>The appreciation of art<br/>5. The Case Study—The context of the Vijayanagara Empire 48<br/>The empire<br/>Patronage towards art<br/>Temple architecture of Vijayanagara<br/>The music of Vijayanagara<br/>6. Analogy of the philosophical relationships between Music and architecture 55<br/>Common philosophical underpinnings<br/>A means of obtaining moksha through Devotion:<br/>Bhakti and its 9 forms enabled through music and architecture<br/>Cosmic significance<br/>Relationship with the human body<br/>Commonalities in the design paradigm<br/>Axiality<br/>7. Conclusion 75<br/><br/> |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Srivathsan, A.[Guide] |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | 2013 Batch |
| 891 ## - Topic | |
| Topic | FA-UG |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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| Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 04/04/2019 | Faculty of Architecture | A TH-1346 SAI | 020798 | 04/04/2019 | 04/04/2019 | Thesis |