Learning from cinema : the architecture language of spaces in sci-fi thriller genre (Also available on CD) (Record no. 55609)
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| 000 -LEADER | |
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| fixed length control field | 03063nam a2200169Ia 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 190209s9999||||xx |||||||||||||| ||und|| |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | M.Arch TH-0170 |
| Item number | TOK |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Tokas, Yatin (PA105716) |
| 245 #0 - TITLE STATEMENT | |
| Title | Learning from cinema : the architecture language of spaces in sci-fi thriller genre (Also available on CD) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 2018 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xviii,102p.,CD-ROM |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | CONTENTS<br/>Abstract vii<br/>Acknowledgements ix<br/>Contents . xi<br/>List of tables xiii<br/>List of figures xv<br/>1 Introduction 1<br/>1.1 Cinema and Architecture 2<br/>1.2 Understanding how spaces are imagined in cinema 5<br/>1.2.1 Phenomenology behind designing spaces in cinema 8<br/>1.2.2 Storyboard and Narrative in Cinema 10<br/>1.3 Why studying Sci-Fi thriller Genre 11<br/>1.4 Research Methodology 15<br/>1.5 Scope and Limitations 16<br/>1.6 Need for the Study 16<br/>2 Literature Review 17<br/>2.1 A Literature review of an architect writing on spatiality and cinema 17<br/>2.2 A Literature review of a Film critic writing on spatiality and cinema 21<br/>2.3 A Literature review of a Film critic and Phenomenologist writing on spatiality<br/>and cinema 25<br/>2.4 Points of confluences and exceptions from Literature review 28<br/>2.5 Established Parameters of Analysis 29<br/>2.5.1 Focus and Subject 29<br/>2.5.2 Scale and Proportion 29<br/>2.5.3 Use of Lighting in the Space 29<br/>2.5.4 Colours, Textures, and Materials 30<br/>2.5.5 The Depth of an image 30<br/>2.5.6 Geometric relations with vision 30<br/>xii Learning from Cinema: The architecture language of spaces in Study of sci-fi thriller genre<br/>2.5.7 Boundaries or openness of space (quality of space) 31<br/>2.5.8 Use of Spatial voids 31<br/>3 FRAME BY FRAME ANALYSIS 33<br/>3.1 Blade Runner 2049 (2017) 33<br/>3.1.1 Frame 1 37<br/>3.1.1.1 Analysis of the frame 37<br/>3.1.2 Frame 2 43<br/>3.1.2.1 Analysis of the frame 43<br/>3.1.3 Frame3 49<br/>3.1.3.1 Analysis of the frame 49<br/>3.1.4 Frame 4 55<br/>3.1.4.1 Analysis of the frame 55<br/>3.2 Inception 59<br/>3.2.1 Frame 1 63<br/>3.2.1.1 Analysis of the frame 63<br/>3.2.2 Frame 2 69<br/>3.2.2.1 Analysis of the frame 69<br/>3.2.3 Frame 3 75<br/>3.2.3.1 Analysis of the frame 75<br/>3.2.4 Frame 4 81<br/>3.2.4.1 Analysis of the frame 81<br/>4 Inferences from the Frame by Frame Analysis 87<br/>4.1 The common parameters used to create spatial expereinces in the frames 87<br/>4.2 The distinguishing parameters in the movies used to create a specific spatial<br/>experiences in the Frames 89<br/>4.2.1 Blade Runner 2049 89<br/>4.2.2 Inception 93<br/>5 Conclusion 97<br/>References 101<br/> |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Modi, Sonal Mithal (Guide) |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | 2016 Batch |
| 891 ## - Topic | |
| Topic | FA-PG |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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| Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 09/02/2019 | Faculty of Architecture | M.Arch TH-0170 TOK | 020427 | 09/02/2019 | 09/02/2019 | Thesis |