Abstraction and transcendence (Record no. 39305)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04430 a2200157 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781581120295 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 720.92-A |
| Item number | HIE |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hien, Pham Thanh |
| 245 ## - TITLE STATEMENT | |
| Title | Abstraction and transcendence |
| Remainder of title | nature, shintai, and geometry in the architecture of the Tadao Ando |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Date of publication, distribution, etc | 1998 |
| Name of publisher, distributor, etc | Dissertation.com |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | vi,182p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | CONTENTS<br/>Abstract<br/>Acknowledgments<br/>Foreword<br/>Chapter I. Introduction<br/>1. The process of Ando's architecture:<br/>2. Visions and concepts <br/>a. Visions<br/>b. Concepts<br/>c. Summary<br/>Chapter II. Literature review<br/>1. General comments<br/>2. The meaning of life and distinctive architecture<br/>3. Intention, principle and concepts<br/>4. Architecture and Eastern-Western traditions<br/>5. Critics on the theme Geometry<br/>a. The transformation of space <br/>b. Form and structure<br/>6. Critics on the theme Nature <br/>a. Modulation of light<br/> b. Sense of urbanism and relationships-place attachment<br/>7. Critics on the theme Shintai<br/> a. Man's sensibility <br/>b. Daily life activities<br/>Chapter III. Japanese traditions.<br/>1. Origins and Ando's theme nature, and shintai. <br/>a. Origins and nature <br/>b. Origins and shintai <br/>c. Geographical landmarks<br/>2. Religious and philosophical encounters - the roots of Ando's architecture a. Religions<br/>1. The influence of Shintoism to Ando's theme nature<br/>2. Buddhism, Confucianism,Taoism and Ando's themes, b. Philosophies<br/>1. Buddhism as philosophy.<br/>2. Yuasuo Yuasa's psychological philosophy<br/>3. Kurokawa and the philosophy of symbiosism<br/>3. Japanese culture and its relation to Ando's architectural sensibility a. Samurai b. Swordsmanship.<br/>L Satory 52<br/>I. Haiku 55<br/>i Rikyu and The Art of Tea. 56<br/>Love of nature 58<br/>nese characteristics and their relations to main themes of Ando 60<br/>. Experience 60<br/>. Exotic 6.1<br/>Eclectic 62<br/>, Harmony 62<br/>Aesthetic 63<br/>Cultivation. 65<br/>1. Self-trained attitude 66<br/>2. The philosophy of the body 68<br/>important issues 69<br/>IV. The interpretation of Ando's architecture and his main themes 71<br/>I: Tadao Ando's positions, theoretical concepts,<br/>lilosophy, approaches 71<br/>Ando and the discourse 71.<br/>Theoretical concepts 78<br/>1. Geometrical standard and poetical essences 78<br/>2. Concepts of nature 82<br/>3. Concepts of place ( body and space) 83<br/>Ando's Philosophy and traditional inheritance. 85<br/>1. Philosophical grounds: East-West encounter 85<br/>2. Philosophical applications 89<br/>3. Heir to tradition 95<br/>Ando's approaches 103<br/>1. Defining intentions of architecture 103<br/>2. Creating symbolic spaces and formal spatiality 104<br/>3 The betweeness.Middle-way, and non dualistic approach 102<br/>4. The infinity with oppositional dialogues (Shintai relations) 103<br/>5. Negation and abstraction 104<br/>Summary 108<br/>Themes 111<br/>Nature 113<br/>1. Element of nature 116<br/>•A. Tangible nature—Preserving nature's generations 11.6<br/>b. Place and culture 116<br/>c. The negation of greenery 118<br/>d. Water: symbolic and experiential meanings 118<br/>e. Sky: symbolic and experiential meanings 119<br/>f. Landscape: Fukei--wind and sunlight 119<br/>g. Intangible nature 121<br/>h. Light and shadow 122<br/>2. Measures applied to create an architecture of nature 123<br/>a. Nature and everyday life, border and enclosed nature 123<br/>b. The modulation of light and shadow 126<br/>3. Summary 127<br/>b. Shintai 130 .<br/>1. Shintai relation as the union of spirit and body 130<br/>2. Shintai and the process of design 134<br/>c. Geometry 137<br/>1. Spatial organizational rules. The relation space-form 137<br/>2. The wall as a primordial material and spatial entity 144 <br/>3. Spatial meanings of the walls 145 <br/>a. The wall of acceptance and negation 145 <br/>b. The mirror walls 146 <br/>c. Directional walls 146 <br/>4. Texture and translucence 147 <br/>5. Labyrinths 147 <br/>6. Intermediate space as the socialized space 148 <br/>7. Original form 148 <br/>8. Tension 149<br/>9. The mysterious space 150 <br/>10. Pure geometrical and complex space 152 <br/>11. Ma 153<br/>12. Wabi 154<br/>13. Oku 156.<br/>Chapter V. Conclusion 161<br/>1. Visions. 161<br/>a. What does architecture need to answer? 161<br/>b. End of Architecture 162<br/>c. Architecture and human spirit<br/>d. Preserving human needs 164<br/>c. Middle-way approach 164<br/>2. Grounds 161<br/>a. The Japanese origins, and religions 161<br/>b. Buddhist philosophy—logic and language 167<br/>3. Themes 171<br/>a. Nature 17l<br/>b. Shintai 171<br/>c. Geometry<br/>4. The lesson of Tadao Ando's architecture 171<br/>Bibliography 171<br/><br/> |
| 890 ## - Country | |
| Country | India |
| 891 ## - Topic | |
| Topic | FA |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Withdrawn status | Home library | Current library | Date acquired | Source of acquisition | Cost, normal purchase price | Total Checkouts | Total Renewals | Full call number | Barcode | Date last seen | Date last borrowed | Cost, replacement price | Price effective from | Koha item type | Public note |
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| Dewey Decimal Classification | Faculty of Architecture | CEPT Library | CEPT Library | 18/02/2015 | 1 | 1297.00 | 38 | 39 | 720.92-A HIE | 012260 | 10/10/2024 | 24/09/2024 | 1297.00 | 18/03/2014 | Book | Bill No. BIL20140300113455 Dt.14/03/2014 |