Phenomenon of kinesthetic perception in architectural spaces (Softcopy is also available)
Canara, Steven (PA104816)
Phenomenon of kinesthetic perception in architectural spaces (Softcopy is also available) - 2018 - v,xii,172p.
Contents :
Abstract i
Acknowledgement iii
Contents v
List of figures viii
1.0 INTRODUCTION TO THE TOPIC
1.1.1 – Introduction 04
1.1.2 - Premises & Subjectivity statement 06
1.1.3 - Structure of the study 07
1.1.4 - Terminologies associated with movement and perception
1.1.4.1 – Kinesthetics 09
1.1.4.2 – Perception 10
1.1.4.3 - Types of perception 11
1.1.4.4 - Kinesthetic perception 12
2.0 ANALYTICAL FRAMEWORK:
2.1.1 - Literature studies (research papers & books) 15
2.1.2 - Theories 17
2.1.3 - Synthesis of Literature studies 19
2.1.4 - Framework for analysis 20
2.1.5 - Elaboration of the analytical framework
2.1.5.1 - Decoding the path of movement 21
2.1.5.2 - Decoding the spatial frames 25
3.0 CASE-STUDIES
3.1.1 - Rationale for selecting the case studies 32
3.1.2 – Annontations 33
3.1.3 - Gandhi Ashram 35
3.1.4 - Decoding the path of movement
3.1.4.1 - Movement pattern 37
3.1.4.2 - Sequence of spaces 39
3.1.5 - Decoding the spatial frames
3.1.5.1 - Path A 43
3.1.5.2 - Path B 52
3.1.5.3 - Path C 61
3.1.6 - Emergent experiences 67
3.2.1 - Gandhi Labor Institute 68
3.2.2 - Decoding the path of movement
3.2.2.1 - Movement pattern 70
3.2.2.2 - Sequence of spaces 72
3.2.3 - Decoding the spatial frames
3.2.3.1 - Path A 76
3.2.3.2 - Path B 83
3.2.3.3 - Path C 89
3.2.3.4 - Path D 92
3.2.3.5 - Path E 97
3.2.3.6 - Path F 104
3.2.4 - Emergent experiences 110
3.3.1 - C.E.E 112
3.3.2 - Decoding the path of movement
3.3.2.1 - Movement pattern 114
3.3.2.2 - Sequence of spaces 116
3.3.3 - Decoding the spatial frames
3.3.3.1 - Path A 120
3.3.3.2 - Path B1 128
3.3.3.3 - Path B2 130
3.3.3.4 - Path C 140
3.3.4 - Emergent experiences 146
4.0 CONCLUSION
4.1.1 - Comparative analysis
4.1.1.1 - Movement pattern 150
4.1.1.2 - Sequence of movement & pause points 152
4.1.1.3 - Articulation of the spatial frames (G.A.) 154
4.1.1.4 - Articulation of the spatial frames (G.L.I.) 156
4.1.1.5 - Articulation of the spatial frames (C.E.E.) 158
4.1.1.6 - Scalar sequence 160
4.1.1.7 - Approach towards symmetry & continuation 161
4.1.1.8 - Approach towards natural light 162
4.2.1 - Learnings from the study
4.2.1.1 - Articulation of the spatial organization 164
4.2.1.2 - Articulation of the pause pints & focal points 165
4.2.1.3 - Articulation of the spatial frames 166
4.2.1.4 - Articulation of the Spatial elements 167
4.2.1.5 - Approach towards the Gestalt principles 168
4.2.1.6 -Approach towards the organizational elements(scale) 169
4.2.1.7 - Articulation of the natural elements 170
4.3.1 - Concluding note 171
4.3.2 – References 172
M.Arch TH-0155 / CAN
Phenomenon of kinesthetic perception in architectural spaces (Softcopy is also available) - 2018 - v,xii,172p.
Contents :
Abstract i
Acknowledgement iii
Contents v
List of figures viii
1.0 INTRODUCTION TO THE TOPIC
1.1.1 – Introduction 04
1.1.2 - Premises & Subjectivity statement 06
1.1.3 - Structure of the study 07
1.1.4 - Terminologies associated with movement and perception
1.1.4.1 – Kinesthetics 09
1.1.4.2 – Perception 10
1.1.4.3 - Types of perception 11
1.1.4.4 - Kinesthetic perception 12
2.0 ANALYTICAL FRAMEWORK:
2.1.1 - Literature studies (research papers & books) 15
2.1.2 - Theories 17
2.1.3 - Synthesis of Literature studies 19
2.1.4 - Framework for analysis 20
2.1.5 - Elaboration of the analytical framework
2.1.5.1 - Decoding the path of movement 21
2.1.5.2 - Decoding the spatial frames 25
3.0 CASE-STUDIES
3.1.1 - Rationale for selecting the case studies 32
3.1.2 – Annontations 33
3.1.3 - Gandhi Ashram 35
3.1.4 - Decoding the path of movement
3.1.4.1 - Movement pattern 37
3.1.4.2 - Sequence of spaces 39
3.1.5 - Decoding the spatial frames
3.1.5.1 - Path A 43
3.1.5.2 - Path B 52
3.1.5.3 - Path C 61
3.1.6 - Emergent experiences 67
3.2.1 - Gandhi Labor Institute 68
3.2.2 - Decoding the path of movement
3.2.2.1 - Movement pattern 70
3.2.2.2 - Sequence of spaces 72
3.2.3 - Decoding the spatial frames
3.2.3.1 - Path A 76
3.2.3.2 - Path B 83
3.2.3.3 - Path C 89
3.2.3.4 - Path D 92
3.2.3.5 - Path E 97
3.2.3.6 - Path F 104
3.2.4 - Emergent experiences 110
3.3.1 - C.E.E 112
3.3.2 - Decoding the path of movement
3.3.2.1 - Movement pattern 114
3.3.2.2 - Sequence of spaces 116
3.3.3 - Decoding the spatial frames
3.3.3.1 - Path A 120
3.3.3.2 - Path B1 128
3.3.3.3 - Path B2 130
3.3.3.4 - Path C 140
3.3.4 - Emergent experiences 146
4.0 CONCLUSION
4.1.1 - Comparative analysis
4.1.1.1 - Movement pattern 150
4.1.1.2 - Sequence of movement & pause points 152
4.1.1.3 - Articulation of the spatial frames (G.A.) 154
4.1.1.4 - Articulation of the spatial frames (G.L.I.) 156
4.1.1.5 - Articulation of the spatial frames (C.E.E.) 158
4.1.1.6 - Scalar sequence 160
4.1.1.7 - Approach towards symmetry & continuation 161
4.1.1.8 - Approach towards natural light 162
4.2.1 - Learnings from the study
4.2.1.1 - Articulation of the spatial organization 164
4.2.1.2 - Articulation of the pause pints & focal points 165
4.2.1.3 - Articulation of the spatial frames 166
4.2.1.4 - Articulation of the Spatial elements 167
4.2.1.5 - Approach towards the Gestalt principles 168
4.2.1.6 -Approach towards the organizational elements(scale) 169
4.2.1.7 - Articulation of the natural elements 170
4.3.1 - Concluding note 171
4.3.2 – References 172
M.Arch TH-0155 / CAN