Persistence of craft the applied arts today

Greenhalgh, Paul Ed.

Persistence of craft the applied arts today - London A&C Black 2002 - vi,218p.

CONTENTS
CHAPTER 1 Introduction: Craft in a Changing World 1
Paul Greenhalgh
CHAPTER 2 The Genre 18 Paul Greenhalgh
CHAPTER 3 Studio Craft and Craftical Formation 28 Kaneko Kenji
CHAPTER 4 Art Manufacturers of the 21st Century 37
Karen Livingstone
CHAPTER 5 Re-inventing the Wheel- The Origins of Studio Pottery 49 Julian Stair
CHAPTER 6 Creating Lasting Values 61 Gareth Williams
CHAPTER 7 Glassmaking and the Evolution of the Craft Process 73 Keith Cummings
CHAPTER 8 Major Themes in Contemporary Ceramic Art 84 Ronald Kuchta
CHAPTER 9 Site-Specific Mctalwork: An Architectural Dialogue 93 Albert Paley
CHAPTER10 Studio Jewellery: Mapping the Absent Body 107 Linda Sandino
CHAPTER 11 Poor Materials Imaginatively Applied: New Approaches to Furniture 117 Joellen Secondo
CHAPTER 12 The Transformation of Textile Art: A Japanese Case Study 128 Yoko Imai
CHAPTER 13 Neo-Tradition: A Nordic Case Study 138 Widar Halen
CHAPTER 14 Pluralityand Necessity: An Antipodean Case Study 149 Janet Mansfield
CHAPTER 15 Shared Territory and Contested Spaces: An Anthropological Perspective160
Carole E. Mayer
CHAPTER 16 Intellectual Colonialism: Post-war Avant-garde Jewellery 173 Simon Fraser
CHAPTER 17 Altogether Elsewhere: The Figuring of Ethnicity 185 Edmund de Waal
CHAPTER 18 Complexity 195 Paul Greenhalgh
Bibliography 209 Index 216


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