Origins, imitation, conventions : representation in the visual arts
Ackerman, James S.
Origins, imitation, conventions : representation in the visual arts - Massachusetts,Cambridge etc MIT Press 2002 - xii,328p.
CONTENTS 1. On the Origins of Art History and Criticism 1 2. The Origins of Architectural Drawing in the Middle Ages and Renaissance 27 3.Leonardo da Vinci's Church Design 67 4. On the Origins of Architectural Photography95 5. Imitation 125 6.Art and Science in the Drawings of Leonardo da Vinci143 7.The Aesthetics of Architecture in the Renaissance 175 8.The Influence of Antiquity on Italian Renaissance Villas 185 9.Daniele Barbaro and Vitruvius217 10.Oalladio : Classical in What Sense ? 235 11.Thomas Jefferson and Italy 263 12. The Conventions and Rhetoric of Architectural Drawing 293 Index 319
0262011867
701.18 / ACK
Origins, imitation, conventions : representation in the visual arts - Massachusetts,Cambridge etc MIT Press 2002 - xii,328p.
CONTENTS 1. On the Origins of Art History and Criticism 1 2. The Origins of Architectural Drawing in the Middle Ages and Renaissance 27 3.Leonardo da Vinci's Church Design 67 4. On the Origins of Architectural Photography95 5. Imitation 125 6.Art and Science in the Drawings of Leonardo da Vinci143 7.The Aesthetics of Architecture in the Renaissance 175 8.The Influence of Antiquity on Italian Renaissance Villas 185 9.Daniele Barbaro and Vitruvius217 10.Oalladio : Classical in What Sense ? 235 11.Thomas Jefferson and Italy 263 12. The Conventions and Rhetoric of Architectural Drawing 293 Index 319
0262011867
701.18 / ACK